Exhibitions
Embarrassment of riches: South Asian Miniature Painting, at MK Gallery, reviewed
In 1633, British merchants travelling east were issued with a royal command from Charles I: ‘As the king has considered…
‘You cannot begin by calling me France’s most famous living artist!’: Sophie Calle interviewed
‘You cannot begin by calling me France’s most famous living artist!’ Thus Sophie Calle objected to the first line of…
The importance of lesbianism to British modernism: Double Weave, at Ditchling Museum, reviewed
The name of Ditchling used to be synonymous with Eric Gill, but since he was outed as an abuser of…
Why did this brilliant Irish artist fall off the radar?
Sir John Lavery has always had a place in Irish affections. His depiction of his wife, Hazel, as the mythical…
How Philip Guston became a hero to a new generation of figurative painters
Why do painters represent things? There was a time when the answers seemed obvious. Art glorified power, earthly and divine,…
Proof that Rubens really was a champion of the female sex: Rubens & Women, at the Dulwich Picture Gallery reviewed
‘She is a princess endowed with all the virtues of sex; long experience has taught her how to govern these…
Marina Abramovic’s show is only of interest to diehard fans
‘Do women have to be naked to get into the Met Museum?’ More than 30 years after the Guerrilla Girls…
You don’t have to be ‘woke’ to be troubled by the Fitzwilliam Museum’s links to slavery
What happens when a museum outlives the worldview of its founder? For publicly funded museums with collections amassed during the…
Surreal, pacy and fun: Christian Marclay’s Doors, at White Cube, reviewed
Sliding doors may change your life, but there’s no mystery in their transparency. A hinged wooden door is another matter;…