Installation

Back to the future: ‘The Asset Strippers’, by Mike Nelson

Powerful elegy for a world that is slipping away: Tate Britain’s The Asset Strippers reviewed

30 March 2019 9:00 am

There was a moment more than 20 years ago when Bankside Power Station was derelict but its transformation into Tate…

Soft cell: ‘Hôtel du Pavot, Chambre 202’, 1970–73, by Dorothea Tanning

Wicked, humorous and high-spirited: Dorothea Tanning at Tate Modern reviewed

16 March 2019 9:00 am

Art movements come and go but surrealism, in one form or another, has always been with us. Centuries before Freud’s…

Lee Bul’s ‘Monster: Pink’ (foreground) and ‘Crashing’ (background)

If you like monstrosities, head to the Hayward Gallery

21 July 2018 9:00 am

One area of life in which globalism certainly rules is that of contemporary art. Installation, performance, the doctrine of Marcel…

Choppy waters: installation view of Tracey Emin ‘My Bed’/JMW Turner

Emotional rescue

28 October 2017 9:00 am

In the 1880s the young Max Klinger made a series of etchings detailing the surreal adventures of a woman’s glove…

‘The Japanese’ by Hans Makart, 1870–75

Fickle fortune

23 September 2017 9:00 am

Here’s an intriguing thought experiment: could Damien Hirst disappear? By that I mean not the 52-year-old artist himself — that…

‘Spray’, by Harold Williamson (1939)

Nothing is quite what it seems

19 August 2017 9:00 am

One day, somebody will stage an exhibition of artists taught at the Slade by the formidable Henry Tonks, who considered…

One of Céleste Boursier-Mougenot’s Scots pines in the French Pavilion

Martin Gayford finds a few nice paintings amid the dead trees, old clothes and agitprop of the Venice Biennale

16 May 2015 9:00 am

At the start of Canto XXI of the ‘Inferno’, Dante and Virgil look down on the pit of Malebolge, the…