Contemporary art
At her best when lightly ruffling the surfaces of things: Cornelia Parker, at Tate Britain, reviewed
Cornelia Parker wasn’t born with a silver spoon in her mouth, but when she was growing up her German godparents…
Exquisite and deranged: two glass exhibitions reviewed
A ‘Ghost Shop’ has appeared between Domino’s Pizza and Shoe Zone on Sunderland High Street. Look through the laminated window…
Fails to dispel the biggest myth of all: Whitechapel Gallery's A Century of the Artist’s Studio reviewed
Picture the artist’s studio: if what comes to mind is the romantic image of a male painter at his easel…
Saudi Arabia’s burgeoning art scene
Stuart Jeffries on Saudi Arabia’s burgeoning art scene
Part-gothic horror, part-Acorn Antiques: Louise Bourgeois, at the Hayward Gallery, reviewed
Louise Bourgeois was 62 and recently widowed when she first used soft materials in her installation ‘The Destruction of the…
How the Beano shaped art
Stuart Jeffries on the cultural influence of the comic that said it was good to be bad
Paintings dominate – the good, the bad and the very ugly: Frieze London 2021 reviewed
There’s a faint scent of desperation wafting through the Frieze tent this year. Pre–pandemic, this was where you came to…
Glorious: Bernardo Bellotto at the National Gallery reviewed
What is the National Gallery playing at? Why, in this summer of stop-start tropical storms, is the NG making visitors…
What really went on at Britain's Bikini Atoll?
Stuart Jeffries takes the ferry to Orford Ness, a strange shingle spit on the Suffolk coast, where art mingles with death
The Turner Prize shortlist is an embarrassment
In 2019 I was asked to be on the jury for the Turner Prize. I was pretty happy about this.…
How has this complete original been sidelined?
A party of disorderly couples has gatecrashed the Picture Gallery at Bath’s Holburne Museum, climbing on to the antique furniture,…
The artists ensnared by the capitalist system they affect to despise
Stuart Jeffries on the artists ensnared by the capitalist system they affect to despise
It's almost touching that the NFT world see itself as radical
Some things are explained so many times that they become unexplainable: we can only relate to them as something complicated…
Is the hottest new podcast, The Apology Line, worth sticking with?
With the arts world still largely in hibernation, the launch of a big podcast is as close as we get…
The rise of bad figurative painting
Galleries are awash with gimmicky paintings that look like they’ve been designed by algorithm. Dean Kissick on the rise of zombie figuration
Inane, modish and safe: The White Pube podcast reviewed
The White Pube started life as an influential art blog, written by Zarina Muhammad and Gabrielle de la Puente. The…
As immersive art goes, nothing can compete with Berghain
In Geoff Dyer’s Jeff in Venice, the protagonist, at the Venice Biennale, muses on installations. ‘Ideally, the perfect art installation…
I didn’t expect to be so moved – galleries reopen
I’m in Mayfair and I’m boarding an airplane. Or rather, I’m boarding an approximation of an airplane. In the centre…
The artist who left no physical record of her work
While locked-down galleries compete to keep their artists in the public eye — or ear — by uploading interview podcasts,…
Are there ways in which virtual exhibitions are better than real ones?
Six months ago I published a book about travelling to look at works of art. One such journey involved a…
The grisly art of Revolutionary France
There was a basket of thick red wool and two pairs of large knitting needles at the start of University…
How capitalism killed sleep
What can you make a joke about these days? All the old butts of humour are off limits. No wonder…
The truth about food photography
While looking at the photographs of food in this humorous exhibition at the Photographers’ Gallery, I thought of how hopelessly…
![English National Opera's triumphant new production of Harrison Birtwistle's The Mask of Orpheus, directed by Daniel Kramer. [Photo: Alistair Muir]](https://spectatorau.imgix.net/content/uploads/2019/10/Opera_Exhibitions.jpg?auto=compress,enhance,format&crop=faces,entropy,edges&fit=crop&w=410&h=275)
A triumph: ENO’s Mask of Orpheus reviewed
ENO’s Mask of Orpheus is a triumph. It’s also unintelligible. Even David Pountney, who produced the original ENO staging in…
Full of wonders: Takis at Tate Modern reviewed
Steel flowers bend in a ‘breeze’ generated by magnetic pendulums. This is the first thing you see as you enter…
