Contemporary art
The joy of George Shaw’s miserable paintings of a Coventry council estate
All good narrative painting contains an element of allegory, but most artists don’t go looking for it on a Coventry…
Wicked, humorous and high-spirited: Dorothea Tanning at Tate Modern reviewed
Art movements come and go but surrealism, in one form or another, has always been with us. Centuries before Freud’s…
For many artists being propagandists has become their raison d’être
If you want to lose friends and alienate people in the art world, try telling them you support Britain leaving…
Phyllida Barlow’s sculptural wonderland reigns supreme at the Royal Academy
‘Those who can, do; those who can’t, teach.’ If there’s an exception to prove Shaw’s rule, it’s Phyllida Barlow. The…
The people have not forgotten me: the exiled Empress of Iran interviewed
Somewhere in the bowels of the Tehran Museum of Contemporary Art is a portrait from a lost world. Its subject…
The winner of the 2018 What’s That Thing? Award for bad public art is…
Not a bad year for the award. Honourable mentions must go to the landfill abstractions of Oxford’s new Westgate Centre,…
Read The Spectator article that gave birth to musical minimalism 50 years ago
The Spectator is responsible for many coinages. One of the most significant came in 1968, when an article by our…
The objects that sound witchiest on paper just look sad: Spellbound reviewed
Just in front of me, visiting Spellbound at the Ashmolean last week, was a very rational boy of about seven…
Antony Gormley’s art works better in theory than in practice
Antony Gormley has replicated again. Every year or so a new army of his other selves — cast, or these…
Here’s why not to go to the Hamptons
New York The summertime exodus is upon us. The Hamptons are overflowing with mouth-frothing groupies looking for celebrities, and the…
Grief-conjurors, space-mincers and earth-shovellers: performance roundup
They enter two by two. Grannies, mainly. Headscarved, mainly. Some locking arms. A bit glum. Like rejects from Noah’s ark.…
The glorious history of Chatham Dockyard, as told through the eyes of artists
‘Ding, Clash, Dong, BANG, Boom, Rattle, Clash, BANG, Clink, BANG, Dong, BANG, Clatter, BANG BANG BANG!’ is how Charles Dickens…
The artist who creates digital life forms that bite & self-harm. Sam Leith meets him (and them)
Digital art is a crowded field. It’s also now older than I am. Yet despite a 50-year courtship, art galleries…
Intelligent, poetic and profound: Tacita Dean at the National and National Portrait galleries
Andy Warhol would probably have been surprised to learn that his 1964 film ‘Empire’ had given rise to an entire…
Surreal jokes and juicy strokes: Martin Gayford on the power of paint
René Magritte was fond of jokes. There are several in René Magritte (Or: The Rule of Metaphor), a small but…
Emotional rescue
In the 1880s the young Max Klinger made a series of etchings detailing the surreal adventures of a woman’s glove…
Fickle fortune
Here’s an intriguing thought experiment: could Damien Hirst disappear? By that I mean not the 52-year-old artist himself — that…
Space odyssey
Rachel Whiteread is an indefatigable explorer of internal space. By turning humble items such as hot-water bottles and sinks inside…
Nothing is quite what it seems
One day, somebody will stage an exhibition of artists taught at the Slade by the formidable Henry Tonks, who considered…
As he approaches 80, the German master Georg Baselitz contemplates the end
‘In many ways,’ Georg Baselitz muses, ‘I behaved against the grain of the times I grew up in.’ The era…
Pharmacy 2 makes me like Damien Hirst
Pharmacy 2 is the reanimated child of Damien Hirst; it lives inside the Newport Street Gallery in a forsaken patch of…
James Turrell interview: ‘I sell blue sky and coloured air’
James Turrell gave me extremely precise instructions. After dinner, I was to walk out through the grounds at Houghton Hall…
Welcome to Japan’s best kept cultural secret: an art island with an underground museum
In his introductory remarks to the Afro–Eurasian Eclipse, one of his later suites for jazz orchestra, Duke Ellington remarked —…
Martin Gayford finds a few nice paintings amid the dead trees, old clothes and agitprop of the Venice Biennale
At the start of Canto XXI of the ‘Inferno’, Dante and Virgil look down on the pit of Malebolge, the…
This radio programme almost made me like Piers Morgan
An extraordinary black-and-white photograph of a young black boy taken on the Isle of Wight by Julia Margaret Cameron in…
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