Pop
St Vincent’s Massediction is my album of year (in that I don’t actually hate it yet)
This has not been an appalling year for pop music — it was better than 1984, for example, and 1961.…
Baxter Dury on London going to the dogs, his acclaimed new album and his dad
In the last week of October, the middle-aged Baxter Dury and the boy Baxter Dury were brought together. The 45-year-old…
Who will be the first woman on the moon?
Wally Funk is on a mission — to make real her dream that a woman will walk on the moon…
Like a Melanie Phillips column set to bad music: Morrissey’s Low in High School reviewed
Grade: B- It is truly painful to criticise someone who greatly enrages the Guardian and the leftie music press, and…
She is a severely limited songwriter – and singer: Taylor Swift’s Reputation reviewed
Grade: D+ I was suckered in by the brio of Taylor Swift’s first big single, ‘Love Story’, despite the clunking…
St Vincent: Masseduction
Grade: A The old Tulsa sound was a rather agreeable low-key, shuffling, blues-inflected rockabilly — primarily J.J. Cale and Leon…
Sound and vision
To get a reminder of how strange the 1970s were, there’s no need to plough through lengthy social and political…
LCD Soundsystem: American Dream
Grade: B+ Number one. Everywhere, just about. You have to say that the man has a certain sureness of touch.…
A genuine oddity
The most compelling pop singers in music right now — at least in the branch where pop singers still play…
When pop gave way to rock
According to David Hepworth, the year he turned 21 was also the year when ‘a huge proportion of the most…
Starman
The DJ and sage Mark Radcliffe once said that he didn’t think he could ever like anyone who didn’t love…
Why I’m stepping down after 28 years as The Spectator pop critic
Pop's place in culture has changed drastically. Marcus Berkmann explains why, after 27 years, it is time to step down as The Spectator's pop critic
Going for a song
This column does like a bargain. Indeed, it not only esteems and relishes a bargain, it has also worked long…
Music to write books by
I have been writing a book this summer, in the usual mad tearing hurry. (Much as I admire those who…
The London ear
It’s easy to tag the city’s terrain by writer. But what, wonders Philip Clark, might a map of its music look like?
The beat goes on
It’s rare that I see a piece about music that makes me want to cheer from the rafters and shake…
Starr quality
Ringo’s no joke, says James Woodall. He was a genius and the Beatles were lucky to have him
Glastonbury knight
I had meant to write a dispassionate account of this year’s Glastonbury, really I had. But I’m afraid my plans…
Eyes wide shut
Asif Kapadia’s documentary about Amy Winehouse, whom Tony Bennett describes as ‘one of the truest jazz singers that ever lived’,…
Elysian fields
Glastonbury is a model for radical policy reform, says Steve Hilton
The pretenders
Like a lot of essentially cautious people, I like my music to take some risks, play with fire and damn…
Eurovision-speak
Like a reluctantly remembered nightmare, last week’s Eurovision Song Contest already seems very distant. But, in the manner of the…
Whose line is it anyway?
Songwriting credits are, as we know, not always to be trusted. Since the dawn of music publishing, there has always…
Yes men
My favourite comment about the Scottish referendum came from the eminent comedian and novelist David Baddiel. ‘What if Yes wins,…
The real thing
Every musical career has its own narrative, and most of them include at least one comeback. To come back, you…
