Opera
Baffling and vile: ETO’s Manon Lescaut reviewed
In 1937, John Barbirolli took six pieces by Henry Purcell and arranged them for an orchestra of strings, horns and…
We have lost an unforgettable teacher and one of the greatest living critics
Tanner, the critic RICHARD BRATBY Michael Tanner (1935-2024), who died earlier this month, had such a vital mind and stood…
Can everyone please shut up about Maria Callas?
Rupert Christiansen on the cult of Callas
Juicy solution to the Purcell problem: Opera North’s Masque of Might reviewed
Another week, another attempt to solve the Purcell problem. There’s a problem? Well, yes, if you consider that a composer…
Tidal power
In David Alden’s production of Peter Grimes, the mob assembles before the music has even started – silhouetted at the…
Two for the road
Jane Glover follows the rapturous Wolfgang around Venice, Bologna, Florence and Naples on three journeys that would change the young composer’s life
Taking the biscuit
The fun starts early in Beckett’s Endgame. Within minutes of opening his mouth, blind bully Hamm decides to starve his…
Sonic enchantment
We used to call it a ‘meat and two veg’ programme, back in my concert planning days: the reliable set…
A performance with teeth
It’s the Edinburgh International Festival, and Barrie’s back in town. Once, Edinburgh was pretty much the only place that you…
Suspended reality
Aix is an odd place. It should be charming, with its dishevelled squares, Busby Berkeley-esque fountains, pretty ochres and pinks.…
Winging it
‘Audience Choice’ was the promise at the Budapest Festival Orchestra’s Sunday matinee Prom, and come on – who could resist…
All’s well that ends well
Bernstein’s Candide is the operetta that ought to work, but never quite does. Voltaire’s featherlight cakewalk through human misery, set…
Here comes the Hun
Hungarian culture is living through a golden age, says Igor Toronyi-Lalic, and the West has much to learn from it
Testament of cliché
‘Ring out your bells for me, ivory keys! Weave out your spell for me, orchestra please!’ It’s lush stuff, the…
To die for
There are a lot of corpses on stage at the end of Charles Edwards’s production of Tristan & Isolde for…
Fire and fizz
Are you supposed to laugh at the end of Don Giovanni? Audiences often do, and they did at the end…
All quiet on the western front
Zoe Strimpel talks to the anti-Putin Russian artists who have been cancelled since the invasion of Ukraine
Florid flummery
Lightning sometimes strikes twice. English Touring Opera hit topical gold last spring when, wholly by coincidence, they found themselves touring…
No laughing matter
As stage directions go, the The Magic Flute opens with a zinger. ‘Tamino enters from the right wearing a splendid…
But what about the plot?
You wouldn’t like Tamerlano when he’s angry. ‘My heart seethes with rage,’ he sings, in Act III of Handel’s opera…
Miniature rite of spring
Imagine a folk dance without music. Actually, you don’t have to: poke about on YouTube and you’ll find footage from…
