Film
This film deserves all the awards and praise: Nomadland reviewed
Nomadland won multiple Oscars including Best Picture, Best Director and Best Actress, and if there’d been an award for Best…
Audiences don’t want woke: comic-book writer Mark Millar interviewed
James Delingpole talks to comic-book writer Mark Millar about the joy of Catholicism, our sorry lack of male action figures and his childhood superpower
It will do your head in: Black Bear review
Black Bear is one of those indie dramas that is meta on so many levels you can either sit with…
Clever, funny and stomach-knotting: Promising Young Woman reviewed
Promising Young Woman is a rape-revenge-thriller that has already proved divisive but is a wonderfully clever, darkly funny, stomach-knotting —…
The Mozarts of ad music
Richard Bratby meets the hidden men and women composing melodies to make you buy
The fossil-hunting is more interesting than the sex: Ammonite reviewed
Ammonite is writer-director Francis Lee’s second film after God’s Own Country, one of the best films of 2017, and possibly…
Spellbinding: Preparations to be Together for an Unknown Period of Time reviewed
The premise for the unsnappily titled Preparations to be Together for an Unknown Period of Time is this: a Hungarian…
Awards season loses its shine when no one can go to the cinema
The inevitable listlessness of this year’s awards season
Why are the Oscars such a lousy guide to great cinema?
Chloé Zhao’s Nomadland,predicted to win big at this year’s Oscars, is not a terrible film. It’s a slight, sentimental Grapes…
The best film of the year: Judas and the Black Messiah reviewed
Judas and the Black Messiah is a biopic about Black Panther leader Fred Hampton, but it’s not your regular biopic…
It'll please small kids, but they're never to be trusted: Raya and the Last Dragon reviewed
Raya and the Last Dragon has everything you might want nowadays from a major Disney film — feisty kick-ass heroine,…
Contains nothing you couldn't get from Wikipedia or YouTube: Netflix's Pelé reviewed
Pelé is a two-hour documentary about the great Brazilian footballer — the greatest footballer ever, some would say — who…
Horrible – but in a very fun way: I Care a Lot reviewed
I Care a Lot is a deliciously dark comic thriller that You’ll Enjoy a Lot. It’s heartless. It’s vicious. It’s…
Our love affair with the Anglo-Saxons
Dan Hitchens on our love affair with the Anglo-Saxons
The two composers who defined British cinema also wrote inspired operas
It’s my new lockdown ritual. Switch on the telly, cue up the menu and scroll down to where the vintage…
Predictable, repetitive and exploitative: Run Hide Fight reviewed
In this line of business you receive many emails from PRs ‘reaching out’ about their particular film, which I really…
This is cinema as car ad, says Geoff Dyer: News of the World reviewed
It’s a premise with plenty of previous. Children whose parents were murdered by Indians on the frontier of the American…
The Icelandic version was better – and had better knits: Rams reviewed
Rams is an average film with a better film trying to get out, and you may already have seen that…
Remarkably moving: The Dig reviewed
Just before the outbreak of the second world war a discovery was made in a riverside field at Sutton Hoo…
Another cracking take on the opera film: Marquee TV’s Turn of the Screw reviewed
I’m still waiting for the Royal Opera to step up. Nearly a year into the Covid crisis and what do…
So good I watched it twice: Netflix's The White Tiger reviewed
The White Tiger is adapted from the Booker-prize winning novel (2008) by Aravind Adiga. It is directed by Ramin Bahrani…
The acting is very Scooby-Doo: Blithe Spirit reviewed
The comedy Blithe Spiritwas written by Noël Coward in 1941. It is, essentially, about a séance going wrong and a…