Film
Riveting: Dear Comrades! reviewed
Andrei Konchalovsky’s Dear Comrades! is based on a true event and set in 1962 in the Russian city of Novocherkassk…
How Korean cinema mastered the art of horror
The triumph of Korean cinema
Even I, a bitter and cynical middle-aged woman, felt stirred: Sylvie’s Love reviewed
Sylvie’s Love is an exquisitely styled, swooning, old-school, period Hollywood romance and while it has been described as ‘glib’ in…
Buttercup the cow was so convincing I felt quite moved: Jack and the Beanstalk reviewed
This pantomime was filmed by ‘legendary Blue Peter presenter’ Peter Duncan in his back garden over the summer. It was…
What's an art form that feels unpopular and pointless, but isn't? Video art
How did the universe begin? Did the great god Bumba vomit us up, as the Kuba believe? Or did we…
A hard watch, but ultimately a rewarding one: County Lines reviewed
County Lines is the kind of social realism that the British do so well, if not too well. In other…
It’ll blow you away: Collective reviewed
When I recommend this documentary to people, telling them it follows the journalistic investigation into a fire that broke out…
Like a never-ending episode of The Jerry Springer Show: Hillbilly Elegy reviewed
Hillbilly Elegy is an adaptation of the best-selling memoir, published in 2016, by J.D. Vance and it’s quite a story.…
The journalists who scripted the golden age of Hollywood
Tanya Gold on the journalists who scripted the golden age of Hollywood
A gripping portrait: Billie reviewed
This documentary about Billie Holiday is transfixing. Not just because it’s about Billie Holiday — I am not into jazz…
Every scene Sophia Loren isn’t in feels like a wasted one: The Life Ahead reviewed
The Life Ahead stars Sophia Loren, and if there is one reason to see The Life Ahead it is this:…
You won’t be able to look away: Shirley reviewed
This week, two electrifying performances in two excellent films rather than two mediocre performances in the one mediocre film —…
The magic of cinema isn’t just about film
Going to the movies was a religious experience
You're not going to get a better spin on bromance – brobably: The Climb reviewed
The Climb is, essentially, a bickering bromance as two longtime pals bicker bromantically down the years, and it doesn’t sound…
Gripping high gothic psychological horror: Saint Maud reviewed
Saint Maud is a first feature from writer-director Rose Glass and it’s being billed as a horror film. But it’s…
Why great speeches are made for stage and screen
Curious thing, writer’s block. If you believe it exists. Terry Pratchett didn’t. ‘There’s no such thing,’ he said. ‘It was…
One zinger after another – but it’ll leave you cold: Trial of the Chicago 7 reviewed
Aaron Sorkin’s The Trial of the Chicago 7 — don’t worry, you haven’t missed six earlier films — is a…
This is what cinema is for: Netflix’s Cuties reviewed
Cuties is the subject of a moral panic and a hashtag #CancelNetflix. It tells the story of Amy (Fathia Youssouf),…
Horrifyingly beautiful – but I will never watch it again: Painted Bird review
The Painted Bird opens with a young boy (Jewish) running through a forest and clutching his pet ferret. He is…
Half the fun of the animation – and much longer: Mulan reviewed
Mulan is Disney’s latest live-action remake, coming in at 120 minutes, compared with the 1998 animation, which ran to 80.…
A James Bond film with added physics no one understands: Tenet reviewed
Tenet is the latest high-concept, time-bending blockbuster from Christopher Nolan and it’s the film that (unofficially) reopens cinemas in the…
Why have they made Pinocchio look like Freddy Krueger?
Matteo Garrone’s live-action version of Pinocchio is visually sumptuous and there are some enchanting characters (my favourite: Snail). And unlike…
Heavy-handed satire and schmaltz: American Pickle reviewed
American Pickle is a comedy based on a short story by Simon Rich, originally published in the New Yorker, and…
Cancelling Kindergarten Cop is a step too far
Arnold Schwarzenegger’s late-Eighties to early-Nineties comedies have not gone down in history as great triumphs. Films like Junior and Twins…
An extraordinary debut: Make Up reviewed
Make Up is the first full-length film from writer–director Claire Oakley, set in an out-of-season holiday park on the Cornish…
