Eno

Leo Jemison (Miles), Elen Willmer (Flora) and Sophie Bevan (Governess) in The Turn of the Screw at Garsington Opera

Deft, elegant and genuinely chilling: Garsington’s Turn of the Screw reviewed

13 July 2019 9:00 am

Think of the children in opera. Not knowing sopranos and mezzos, pigtailed and pinafored or tightly trousered-up to look child-like,…

ENO’s Jack the Ripper needs to decide if it wants to be a gore-fest or social history

6 April 2019 9:00 am

Is it possible to write a feminist opera about Jack the Ripper? Composer Iain Bell thinks it is, and his…

Sarah Tynan, Nicholas Lester and Andrew Shore in ENO's new Merry Widow. Photo: Clive Barda

Cringingly vulgar, brainless and lacking heart: ENO’s Merry Widow reviewed

9 March 2019 9:00 am

Garrick Ohlsson is one of the finest pianists of his generation. Why, then, was the Wigmore Hall not much more…

Gaelle Arquez as Carmen in Barrie Kosky's production at the Royal Opera. [Photo: ROH / Bill Cooper]

Kosky’s Carmen is still the smartest show in town – and the most fun

8 December 2018 9:00 am

It’s December, and while musical theatre is busy celebrating ‘warm woollen mittens’, opera, as usual, is far more interested in…

Hrachuhi Bassenz as Amelia Grimaldi in Elijah Moshinsky's Boccanegra for the Royal Opera. Photo: Clive Barda

Real psychological horror and a mesmerising heroine: ENO’s Lucia di Lammermoor reviewed

3 November 2018 9:00 am

How do you solve a problem like Lucia? Murder, madness, abuse, possibly even incest, all set to a soundtrack of…

Thrilling, heartbreaking music drama — you need to see it: Sarah-Jane Lewis as Annie with the chorus in ENO’s Porgy and Bess

Thrilling, heartbreaking music drama – you need to see it: ENO’s Porgy and Bess reviewed

20 October 2018 9:00 am

Gershwin’s Porgy and Bess springs to life fully formed, and pulls you in before a word has been sung. A…

A woman-child of dangerous assurance: Allison Cook as Salome in Adena Jacobs’s new production for English National Opera. [Catherine Ashmore]

A fascinating failure, but a failure nonetheless: ENO’s Salome reviewed

6 October 2018 9:00 am

Yes, Oscar Wilde never wrote it. No, Strauss didn’t intend it. In fact, the composer famously demanded the Dance of…

Chorus of approval: the ENO chorus gives it the full Broadway, triple threats to a man, in Benjamin Britten’s Paul Bunyan (Photo: Genevieve Girling)

Often baffling but ultimately entertaining: Britten’s Paul Bunyan reviewed

15 September 2018 9:00 am

‘I feel I have learned lots about what not to write for the theatre…’ There’s a prevailing idea that the…

Sexy hints of affluence with top notes of fascism: Grange Park’s Roméo et Juliette reviewed

30 June 2018 9:00 am

Patrick Mason’s new production of Gounod’s Roméo et Juliette reminded me of something, but it took a while to work…

OPERA
The ENO Chorus in Acis and Galatea. Photo: Dani Harvey

A fun evening that finished early enough for dinner – neither a given in Handel

23 June 2018 9:00 am

On a sward of AstroTurf somewhere off Silicon Roundabout, Mountain Media is hosting its summer party and, well, it’s the…

A mischievous, daring production that produces the goods: Iolanthe reviewed

24 February 2018 9:00 am

‘Welcome to our hearts again, Iolanthe!’ sings the fairy chorus in Gilbert and Sullivan’s fantasy-satire, and during this exuberant new…

Excellent but there’s too much larking about: ENO’s Rodelinda reviewed

4 November 2017 9:00 am

ENO has revived Richard Jones’s production of Handel’s Rodelinda. It was warmly greeted on its first outing in 2014, though…

Pole position

5 October 2017 2:00 pm

Did you know that they used to make the Fiat 126 in the Eastern bloc? They did, apparently. There was…

Scottish Opera could have a hit on its hands with this new Mikado

14 May 2016 9:00 am

You have to be quite silly to take Gilbert and Sullivan seriously. But even sillier not to. G&S is still…

Glenn Close as Norma Desmond in ‘Sunset Boulevard’

I didn’t enjoy it but I couldn’t help loving it: Sunset Boulevard reviewed

9 April 2016 9:00 am

Sunset Boulevard is a tale of fractured glory with Homeric dimensions. The movie presents Hollywood as a never-ending Trojan War…

Naked ambition: Anthony Roth Costanzo in Philip Glass’s ‘Akhnaten’

In a world full of zombie new operas, thank god for Philip Glass’s Akhnaten

12 March 2016 9:00 am

A mixed year so far for new opera. A few really dismal things have appeared from people who should know…

Choristers from the English National Opera (Photo: Getty)

ENO must go

27 February 2016 9:00 am

Last week Darren Henley, chief executive of Arts Council England, revealed that opera receives just under a fifth of the…

Norma at the ENO (Photo: Alastair Muir)

Long live ENO!

27 February 2016 9:00 am

The three most moving, transporting death scenes in 19th-century opera all involve the respective heroines mounting a funeral pyre —…

What does it take to have someone declared dead? £480, for a start

13 February 2016 9:00 am

Matters of life and death Lord Lucan is now officially presumed dead. How do you have someone declared dead? In…

World-weary rather than carefree: Peter Coleman-Wright as Papageno

Life-enhancing achievement: ENO's Magic Flute reviewed

13 February 2016 9:00 am

Centre stage, there’s an industrial-looking black platform, secured by cables. The Three Ladies snap the unconscious Tamino on a mobile…

Anna Devin as Alcina and Nick Pritchard as Ruggiero in ‘La Liberazione di Ruggiero’ at Brighton Early Music Festival

Has there ever been a better time to be a lover of Baroque opera?

28 November 2015 9:00 am

Time was when early music was a 6 p.m. concert, Baroque began with Bach and ended with Corelli’s Christmas Concerto,…

ENO’s production of ‘The Force of Destiny’ has a large, fidgety set and a projection of a vast horse’s head

That Force of Destiny isn’t a great evening is the fault of Verdi not ENO

14 November 2015 9:00 am

The Force of Destiny, ENO’s latest offering to its ‘stakeholders’, as its audiences are now called thanks to Cressida Pollock,…

Please let's have more musicals like this Kiss Me, Kate at Opera North

10 October 2015 9:00 am

Opera North’s new production of Cole Porter’s masterwork Kiss Me, Kate has been so widely and justly praised that I…

ENO’s Queen of Spades: I wanted to grab David Alden’s production by the neck and shake out its silly clutter

13 June 2015 9:00 am

The opera director David Alden has never been one to tread the straight and narrow. Something kinky would emerge, I’m…

Dressing up for the opera is not elitist

13 June 2015 9:00 am

It’s June, and the country-house summer opera festivals are now in full swing. Glyndebourne, which opened the season last month,…