David Pountney
Juicy solution to the Purcell problem: Opera North’s Masque of Might reviewed
Another week, another attempt to solve the Purcell problem. There’s a problem? Well, yes, if you consider that a composer…
Wow, this is good: Grange Park Opera's Ivan the Terrible reviewed
There are worse inconveniences than having to wear a face mask to the opera. But there’s one consequence that hadn’t…
Eurotrash Verdi: ENO’s Luisa Miller reviewed
Verdi’s Luisa Miller is set in the Tyrol in the early 17th century, and for some opera directors that’s a…
It’s not fair – I liked Il segreto di Susanna before it was cool: OHP’s double bill reviewed
Should a secret pleasure ever be shared? Spoiler alert: Susanna’s secret, unknown to her husband Gil, is that she smokes.…
How good really was Berlioz?
Hector Berlioz was born on 11 December 1803 in rural Isère. ‘During the months which preceded my birth my mother…
This new opera had the audience in tears
‘So you’re going to see the gay sex opera?’ exclaimed my friend, open-mouthed. People certainly seem to have had some…
WNO reminds us Figaro's a comedy – which is no bad thing
Near the end of Elena Langer’s new opera Figaro Gets a Divorce, as the Almaviva household — now emigrés in…
Cruel and absurd: WNO’s Barber of Seville reviewed
‘Forget Downton Abbey!’ exhorts David Pountney in the programme for Figaro Forever, Welsh National Opera’s season of Beaumarchais operas, The…
ENO’s The Girl of the Golden West is irresistibly seductive
Puccini’s La fanciulla del West is, one suspects, one of those works that modern audiences struggle to keep a straight…
Robo-Tell hits Welsh National Opera
Is there a fundamental, insuperable problem with staging Rossini’s Guillaume Tell on a budget, without the resources to conjure up…
