Arts

The Voices review: a hateful, repellent, empty film

21 March 2015 9:00 am

The Voices is ‘a dark comedy about a serial killer’, which is not an overcrowded genre, and I think we…

50 shades of beige: English National Ballet's Modern Masters at Sadler's Wells, reviewed

21 March 2015 9:00 am

My moment of the week was stumbling into the shocking, fantastical Cabinet of Curiosities in the Alexander McQueen show at…

Left to right: Peter Hoare (Fatty), Anne Sofie von Otter (Leocadia Begbick), Willard White (Trinity Moses)

Royal Opera's Rise and Fall of the City of Mahagonny review: far too well behaved

21 March 2015 9:00 am

Brecht/Weill’s Rise and Fall of the City of Mahagonny was premièred in 1930, Auden/Stravinsky’s The Rake’s Progress in 1951. Twenty-one…

Raised by Wolves review: council-estate life but not as you know it

21 March 2015 9:00 am

Journalist, novelist, broadcaster and figurehead of British feminism Caitlin Moran, who writes most of the Times and even had her…

Radio is the best way to mug up on the classics

21 March 2015 9:00 am

If ever I found myself at a pretentious literary party obliged to play David Lodge’s ‘Humiliation’ game and to confess…

The Heckler: Why I’m allergic to Stephen Sondheim

21 March 2015 9:00 am

I came out in a rash when I heard that Emma Thompson was to star in Stephen Sondheim’s Sweeney Todd…

Culture buff

21 March 2015 9:00 am

In her memoir Must You Go?, Antonia Fraser records an exchange between her husband Harold Pinter and Samuel Beckett in…

50 shades of beige

19 March 2015 3:00 pm

My moment of the week was stumbling into the shocking, fantastical Cabinet of Curiosities in the Alexander McQueen show at…

Stephen Sondheim

19 March 2015 3:00 pm

I came out in a rash when I heard that Emma Thompson was to star in Stephen Sondheim’s Sweeney Todd…

Stephen Sondheim

19 March 2015 3:00 pm

I came out in a rash when I heard that Emma Thompson was to star in Stephen Sondheim’s Sweeney Todd…

The dramatic centrepiece to McQueen’s 2001 spring/summer collection set in an asylum

Alexander McQueen may have been a prat but at least he was an interesting one

14 March 2015 9:00 am

Alexander McQueen may have been a prat but at least he was an interesting one, says Shura Slater

Left: ‘Dream of a good witch’, c.1819–23, by Goya Right: ‘Bajan niñendo (They descend quarrelling)’, c.1819–23, by Goya

Flying witches, mad old men, cannibals: what was going on in Goya’s head?

14 March 2015 9:00 am

It is not impossible to create good art that makes a political point, just highly unusual. Goya’s ‘Third of May’…

Suite Francaise review: what is this film playing at, when it comes to Jews in attics?

14 March 2015 9:00 am

Suite Française is being billed as a second world war romance about ‘forbidden love’ and, in this regard, it is…

Simon Darwen as Peter and Siubhan Harrison as Eloise in ‘The Armour’

The Armour at Langham Hotel reviewed: three new playlets that never get going

14 March 2015 9:00 am

One of last year’s unexpected treasures was a novelty show by Defibrillator that took three neglected Tennessee Williams plays, all…

Identity crisis: Rachele Gilmore as Alice

Alice in Wonderland at the Barbican reviewed: too much miaowing

14 March 2015 9:00 am

Charles Lutwidge Dodgson loved little girls. He loved to tell them stories, he loved to feed them jam, he loved…

What it’s really like to live in India today - stressful

14 March 2015 9:00 am

After a month cooped up in a Scottish castle, no internet, no TV, and no radio, watching hectic snowflakes billowing…

Should he stay or should he go: Aidan Turner as Ross Poldark

Poldark review: drama by committee

14 March 2015 9:00 am

By my calculations, the remake of Poldark (BBC1, Sunday) is the first time BBC drama has returned to Cornwall since…

Culture buff

14 March 2015 9:00 am

Nowadays we don’t often look to modern Greece for inspiration except for its physical beauty and the charm of its…

Staying power: Harrison Ford as Rick Deckard in ‘Blade Runner: The Final Cut’

How Ridley Scott’s sci-fi classic, Blade Runner, foresaw the way we live today

7 March 2015 9:00 am

How Ridley Scott’s Blade Runner, made 33 years ago, foresaw the way we live today, by William Cook

Inventing Impressionism at the National Gallery reviewed: a mixed bag of sometimes magnificent paintings

7 March 2015 9:00 am

When it was suggested that a huge exhibition of Impressionist paintings should be held in London, Claude Monet had his…

Why you should never trust songwriting credits

7 March 2015 9:00 am

Songwriting credits are, as we know, not always to be trusted. Since the dawn of music publishing, there has always…

Why George Bernard Shaw was an overrated babbler

7 March 2015 9:00 am

When I was a kid, I was taught by a kindly old Jesuit whose youth had been beguiled by George…

Still Alice review: you can see why Julianne Moore won an Oscar but the film’s still boring

7 March 2015 9:00 am

There’s always seemed something masklike about Julianne Moore’s face: she seems walled in by her beauty. When she smiles, the…

ENO's Indian Queen reviewed: Peter Sellars's bold new production needs editing

7 March 2015 9:00 am

When is an opera not an opera? How much can you strip and peel away, or extend and graft on…

The Great European Disaster on BBC4 reviewed: propaganda worthy of Leni Riefenstahl

7 March 2015 9:00 am

My favourite bit of The Great European Disaster (BBC4, Sunday) was the lingering shot that showed golden heads of corn…