Arts
A gripping new play with a Michael Fish-y narrative: Pressure reviewed
David Haig’s play Pressure looks at the Scottish meteorologist, James Stagg, who advised Eisenhower about the weather in the week…
Mozart died too late rather than too early. Discuss.
Glenn Gould used to say that Mozart died too late rather than too early. The remark was intended to get…
My knuckles went pure white and have yet to return to full colour: Custody reviewed
Custody is both social realism and a thriller and it’s terrific. It is smart, beautifully acted, never crass about the…
Installation view Colours of Impressionism: Masterpieces from the Musée d’Orsay
The French are sharing some of their beautiful visual heritage with us right now. At the AGNSW are the wonderful…
From Stansted to corporate swank: superstructuralism has a lot to answer for
Amid the thick of the Crimean war, Florence Nightingale dispatched a plea to the Times deploring the lethal conditions of…
Hobbit houses and 3-D homes – everything about these videos should be intensely irritating
Since 2006, someone called Kirsten Dirksen has been posting weekly videos on YouTube about ‘simple living, self-sufficiency, small (and tiny)…
Why British radio plays can’t compete with those from the Continent
To Herne Bay in Kent for the UK International Radio Drama Festival: 50 plays from 17 countries in 15 languages…
Once seen as the coming force in British painting, John Craxton deserves another look
In late April 1992, I was in Crete, interviewing the painter John Craxton. It was the week that Francis Bacon…
Flouncy, tasteless and unsubtle – I loved it: Ruthless! The Musical reviewed
Ruthless! The Musical is a camp extravaganza about ambitious actors stranded in small-town America. Sylvia St Croix, a pushy agent,…
This Hansel and Gretel has ‘classic’ stamped all over it
It’s been a good couple of weeks for cuddly toys in opera. A big floppy Eeyore is the only comfort…
Portentous, po-faced but also highly imaginative: The City & The City reviewed
BBC2 has a new drama series for Friday nights. The main character is a world-weary middle-aged police inspector with an…
Iceland’s national composer returns from oblivion
The lur is a horn, modelled in bronze after a number of 3,000-year-old instruments discovered at various archaeological sites across…
Plenty to wonder at – like who thought it was a good idea to make it: Wonderstruck reviewed
Wonderstruck is a film by Todd Haynes and you will certainly be struck by wonder, often. You will wonder at…
Cartier London Halo Tiara 1936
We’ve grown used to fashion and related objects being the subject of exhibitions at our major galleries but a commercially…
The loveliest episode of Holy Week – Christ rises from the potting shed
In Nicolas Poussin’s ‘Noli Me Tangere’ (1653) Christ stands with his heel on a spade. He appears, in his rough…
How Debussy slipped past Wagner into the unknown
A spectre haunted the first weekend of the City of Birmingham Symphony Orchestra’s Debussy Festival: the spectre of Richard Wagner.…
It was good but I preferred slurping my genitals: Deborah’s dog reviews Isle of Dogs
The latest film from Wes Anderson is a doggy animation set in a fantasy Japan and as there was a…
The glorious history of Chatham Dockyard, as told through the eyes of artists
‘Ding, Clash, Dong, BANG, Boom, Rattle, Clash, BANG, Clink, BANG, Dong, BANG, Clatter, BANG BANG BANG!’ is how Charles Dickens…
Paradise Lost is made for radio – but you need to concentrate
It’s a tough listen, Paradise Lost on Radio 4 at the weekend. In bold defiance of the demands of a…
At last, a great achievement at the Royal Opera: Macbeth reviewed
At last, a great time at the Royal Opera: a magnificent performance, in every way, of Verdi’s Macbeth, curiously but…
The Plough and the Stars at the Lyric Hammersmith shows Sean O’Casey is one of the greats
The Plough and the Stars by Sean O’Casey looks at the Irish nationalist movement during the events of Easter 1916.…
Thank you, West Midlands, for the blind alley of heavy metal – blues without rhythm, wit or soul
They’re still alive, then. Chuggedy-chug, grawk, screech screech, chuggedy-chug. First mention of demons — line one, song two. Song one…
The genius of This Country
Sometimes — really not often but sometimes — a programme that’s good and honest and true slips under the wire…
Kathryn Stott
It may not be paradise in every respect, but Townsville in mid-winter could be a reasonable approximation. The Australian Festival…
The artist who creates digital life forms that bite & self-harm. Sam Leith meets him (and them)
Digital art is a crowded field. It’s also now older than I am. Yet despite a 50-year courtship, art galleries…
