Arts
Scala Radio is a real threat to Radio 2
It’s not surprising given the way that electronic communication has taken over so much of our daily business, minimising human…
Still far from perfect but chaps will like it: Royal Ballet’s Frankenstein reviewed
Choreographer Richard Alston is now 70 and his latest outing at Sadler’s Wells is a greatest hits medley. As with…
Almost triumphs over the absurdity of its premise: Northern Ballet’s Victoria reviewed
Blame Kenneth MacMillan. The great Royal Ballet choreographer of the 1960s, 70s and 80s was convinced that narrative dance could…
Deft humour and daft imagery: WNO’s Magic Flute reviewed
Operas are like buses. Both are filled with pensioners and take ages to get anywhere, but more importantly they always…
Slow-moving tale with a strong echo of Brideshead: Alys, Always at the Bridge reviewed
Nicholas Hytner’s new show, Alys, Always, is based on a Harriet Lane novel that carries a strong echo of Brideshead.…
Tender, sweet, affecting: Simon Amstell’s Benjamin reviewed
Simon Amstell’s Benjamin is a romantic comedy about a young filmmaker whose second feature is about to première, and he’s…
It’s shocking how many Michael Jackson fans are still determined to take his side
Halfway through the first part of Channel 4’s extraordinary documentary Leaving Neverland (Thursdays), I flicked through the comments on social…
Aurum by Alice Topp
Such a wonderful word: ‘verve’. Not used much now, it’s one of the words we owe to the French. We…
Enjoy a blast of Spanish sun from Joaquin Sorolla
Artists can be trained, but they are formed by their earliest impressions: a child of five may not be able…
Magnificently incoherent: Royal Trux’s White Stuff reviewed
Grade:A Royal Trux are back — kind of. Singer (if that’s what you want to call what she does) Jennifer…
Cringingly vulgar, brainless and lacking heart: ENO’s Merry Widow reviewed
Garrick Ohlsson is one of the finest pianists of his generation. Why, then, was the Wigmore Hall not much more…
An undervalued songwriter and decent man: Bryan Adams at Wembley reviewed
On 29 June 1991, a record called ‘(Everything I Do) I Do It For You’ by Bryan Adams entered the…
A great example of how Radio 4 is using new technologies to enhance audio
‘It’s too familiar, too obvious,’ says Cathy FitzGerald at the beginning of her new interactive series for Radio 4, Moving…
For many artists being propagandists has become their raison d’être
If you want to lose friends and alienate people in the art world, try telling them you support Britain leaving…
Deserves its classic status: Jesus Hopped the ‘A’ Train at the Young Vic reviewed
Jesus Hopped the ‘A’ Train by Stephen Adly Guirgis deserves its classic status. This wordy and highly cerebral play pulls…
Promising but, compared to the first series, short of laughs: Fleabag reviewed
BBC2’s MotherFatherSon announced its status as a classy thriller in the traditional way: by ensuring that for quite a long…
Finally a Marvel film that doesn’t entirely bore the pants off Deborah Ross
Captain Marvel is the 654th film in the Marvel franchise — the figure is something like that, I think —…
Kathryn Stott – Artistic Director
Townsville is bouncing back; it is also tuning up for the Australian Festival of Chamber Music. Battered by the recent…
David Cairns explains how we learned to love Berlioz
According to his friend and fellow-composer Ernest Reyer, the last words Berlioz spoke on his deathbed were: ‘They are finally…
The only way to avoid Ariana Grande’s drivel is to move to Iran
Grade: D Among the many reasons for moving to Iran is this vapid, talentless, derivative, hyperbolically oversexed drivel aimed at…
I always come away more confused after listening to Moral Maze
Is it me or are we now faced (or perhaps I should say fazed?) much more often by stories in…
Phyllida Barlow’s sculptural wonderland reigns supreme at the Royal Academy
‘Those who can, do; those who can’t, teach.’ If there’s an exception to prove Shaw’s rule, it’s Phyllida Barlow. The…
A torpid seminar on why Trump is the Antichrist: Shipwreck reviewed
When reviewers call a work ‘important’ they mean ‘boring’ and ‘earnest’. And in those terms Shipwreck is one of the…
I’ve never seen Coogan better or Partridge funnier: This Time with Alan Partridge reviewed
Steve Coogan is back as Alan Partridge but frankly who cares? Like Ali G, I’ve long thought, he’s one of…
Odious, endless dross: Tanztheater Wuppertal Pina Bausch reviewed
Please believe that I try to give every production my full attention, to do due diligence, to blink and miss…
