Arts
Lyric Theatre’s Dick Whittington is the opposite of festive garbage
One of the biggest stars of the 1970s was the professional lard-bucket Mick McManus, who plied his trade as an…
Nothing much happens, yet there’s so much to watch: Roma reviewed
Roma is the latest film from Alfonso Cuaron (Gravity,Y Tu Mama Tambien, Harry Potter and the Prisoner of Azkaban) and…
The Sinner is for hormonal teenage girls’ insatiable appetite for the sordid and sick
Don’t watch The Sinner (originally on Netflix; now on BBC4) because, despite your better judgment, you’ll only get addicted after…
Listening to people talking about death can be strangely consoling
‘Without death,’ says Salena Godden, ‘life would be a never-ending conveyor belt of sensation.’ For her death is what gives…
The winner of the 2018 What’s That Thing? Award for bad public art is…
Not a bad year for the award. Honourable mentions must go to the landfill abstractions of Oxford’s new Westgate Centre,…
Read The Spectator article that gave birth to musical minimalism 50 years ago
The Spectator is responsible for many coinages. One of the most significant came in 1968, when an article by our…
Banjo
He was a solicitor, journalist,war correspondent, soldier, grazier but, most importantly, a poet. Andrew Barton ‘Banjo’ Paterson CBE (1864-1941) was…
1975 was a great year for pop – worthy of a better band than The 1975
Grade: C A derided year in pop music, 1975 — and yet a great one. The mainstream was horrible, but…
As a symphonist, Mieczyslaw Weinberg was a master: Weinberg Weekend reviewed
It’s a strange compliment to pay a composer — that the most profound impression their music makes is of an…
Refreshingly understated: BBC1’s Mrs Wilson reviewed
Shortly before her husband’s funeral, the undertaker told the eponymous main character in Mrs Wilson (BBC1, Tuesday) that, ‘We’re here…
Has the Royal Ballet found its hero?
The Royal Ballet is a company in search of a prince. It has no lack of dancing princesses. You could…
Intelligent, unfussy, literate – the West End needs more plays like this: Switzerland reviewed
I know nothing about Patricia Highsmith. The acclaimed American author wrote the kind of Sunday-night crime thrillers that put me…
The story of the cook who spent 10 years preparing food for those on death row
You don’t need headphones to appreciate, and catch on to, the unique selling point of radio: its immediacy, its directness,…
A major missed opportunity: Disobedience reviewed
Disobedience is an adaptation of Naomi Alderman’s novel about forbidden, lesbian love in orthodox Jewish north London, starring Rachel Weisz…
John William Waterhouse.The Lady of Shalott 1888 oil on canvas.
That a poet could enjoy huge popularity in mid-career and still be popularly admired more than a century after his…
Join a Jacobean jury at the Globe. Early modern theatre goes immersive – will it work?
James I and VI liked to term himself Rex Pacificus. Like most politicians who talk a lot about working for…
In the 1960s the brightest star of British art was Richard Smith – and you can see why
It is easy to assume that the contours of art history are unchanging, its major landmarks fixed for ever. Actually,…
This Boccanegra is not what you’d expect from UK’s best-funded opera company
The People are angry. In fact, they’re bloody furious. As the lights flash up on David Pountney’s production of Prokofiev’s…
No, Narcos, those who’ve had the odd puff and cheeky line aren’t to blame for the drug wars
Narcos is back on Netflix, set in Mexico this time, with a cool, world-weary, manly voiceover swearily lecturing us at…
Is Michelle Obama a secret Archers fan?
I wonder what Michelle Obama, the former First Lady who remade that role in her own image, would make of…
How could anyone object to the Royal Ballet engaging in cultural appropriation?
La Bayadère opens with a sacred flame and ends with an earthquake. In between, Marius Petipa’s ballet of 1877 gives…
One of the finest productions I’ve seen at the Globe – a triumph of crony casting: Macbeth reviewed
Michelle Terry, chatelaine of the Globe, wants to put an end to penis-led Shakespeare by casting women in roles intended…
![Carl Mullaney as a charismatic Dame in Lyric Hammersmith's Dick Whittington. [Photo: Tristram Kenton]](https://www.spectator.com.au/wp-content/uploads/2018/12/Theatre_1.jpg?w=410&h=275&crop=1)
![Gaelle Arquez as Carmen in Barrie Kosky's production at the Royal Opera. [Photo: ROH / Bill Cooper]](https://www.spectator.com.au/wp-content/uploads/2018/12/Opera.jpg?w=410&h=275&crop=1)
![Nothing much happens, yet there is so much to watch: Alfonso Cuaron’s Roma. [Photograph: Carlos Somonte/Netflix]](https://www.spectator.com.au/wp-content/uploads/2018/12/8Decfilm.jpg?w=410&h=275&crop=1)
![Jessica Biel as Cora Tannetti. [Photo: BBC / Iron Ocean / Universal Cable Productions LLC]](https://www.spectator.com.au/wp-content/uploads/2018/12/TV.jpg?w=410&h=275&crop=1)
![British poet Salena Godden presenter of Mrs Death Misses Death on Radio 4. [Photo: Roberto Ricciuti / Getty Images]](https://www.spectator.com.au/wp-content/uploads/2018/12/Radio.jpg?w=410&h=275&crop=1)



![Twiggy photographed by Justin de Villeneuve in the Rainbow Room at Big Biba, early 1970s. [JUSTIN DE VILLENEUVE]](https://www.spectator.com.au/wp-content/uploads/2018/11/USE_JDV_TW046.jpg?w=410&h=275&crop=1)



![Ivory plaque of a lioness mauling a man, ivory, gold, cornelian, lapis lazuli, Nimrud, 900 BC–700 BC. [© The Trustees of the British Museum]](https://www.spectator.com.au/wp-content/uploads/2018/11/lioness_plaque.jpg?w=410&h=275&crop=1)
















