Exhibitions

Repetitive but compelling: Giacometti at the National Portrait Gallery reviewed

24 October 2015 9:00 am

One day in 1938 Alberto Giacometti saw a marvellous sight on his bedroom ceiling. It was ‘a thread like a…

Repetitive but compelling: Giacometti at the National Portrait Gallery reviewed

22 October 2015 2:00 pm

One day in 1938 Alberto Giacometti saw a marvellous sight on his bedroom ceiling. It was ‘a thread like a…

With this Tate Britain exhibition, Frank Auerbach joins the masters

17 October 2015 8:00 am

No sooner had I stepped into the private view of Frank Auerbach’s exhibition at Tate Britain than I bumped into…

With this Tate Britain exhibition, Frank Auerbach joins the masters

15 October 2015 2:00 pm

No sooner had I stepped into the private view of Frank Auerbach’s exhibition at Tate Britain than I bumped into…

Why did Goya’s sitters put up with his brutal honesty?

10 October 2015 9:00 am

Sometimes, contrary to a widespread suspicion, critics do get it right. On 17 August, 1798 an anonymous contributor to the…

Why did Goya’s sitters put up with his brutal honesty?

8 October 2015 2:00 pm

Sometimes, contrary to a widespread suspicion, critics do get it right. On 17 August, 1798 an anonymous contributor to the…

‘Dead Rabbit’, 1962, by Dennis Creffield

Now you see it, now you don’t

3 October 2015 8:00 am

The artist, according to Walter Sickert, ‘is he who can take a piece of flint and wring out of it…

‘Dead Rabbit’, 1962, by Dennis Creffield

Now you see it, now you don’t

1 October 2015 1:00 pm

The artist, according to Walter Sickert, ‘is he who can take a piece of flint and wring out of it…

Yuri Gagarin in the cabin of Vostok, the spacecraft in which he made the first human journey to outer space on 12 April, 1961

Stars in their eyes

26 September 2015 8:00 am

‘The dominant narrative of space,’ I was told, in that strange language curators employ, ‘is America.’ Quite so. Kennedy stared…

‘Night in Marrakesh’, 1968, by Brion Gysin

Indiscreet astronaut

26 September 2015 8:00 am

Among my more bohemian friends in 1980s London, Brion Gysin was a name spoken with a certain awe. He was…

Detail from Gundestrup cauldron, 100 BC–AD 1

Melting pot

26 September 2015 8:00 am

‘Celtic’ is a word heavily charged with meanings. It refers, among other phenomena, to a football club, a group of…

‘Night in Marrakesh’, 1968, by Brion Gysin

Indiscreet astronaut

24 September 2015 1:00 pm

Among my more bohemian friends in 1980s London, Brion Gysin was a name spoken with a certain awe. He was…

Yuri Gagarin in the cabin of Vostok, the spacecraft in which he made the first human journey to outer space on 12 April, 1961

Stars in their eyes

24 September 2015 1:00 pm

‘The dominant narrative of space,’ I was told, in that strange language curators employ, ‘is America.’ Quite so. Kennedy stared…

Detail from Gundestrup cauldron, 100 BC–AD 1

Melting pot

24 September 2015 1:00 pm

‘Celtic’ is a word heavily charged with meanings. It refers, among other phenomena, to a football club, a group of…

‘Socialist realism and pop art in the battlefield’, 1969, by Equipo Cronica

Bursting the bubble

19 September 2015 8:00 am

The conventional history of modern art was written on the busy Paris-New York axis, as if nowhere else existed. For…

Lines of beauty

12 September 2015 9:00 am

Marshall McLuhan got it at least half right. The medium may not always be the entire message, but it certainly…

Palpable painting: ‘Scandia’, 1971, Bernat Klein

Touchy-feely – not

5 September 2015 9:00 am

‘The eye is fatigued, perverted, shallow, its culture is degenerate, degraded and obsolete.’ Welcome to the Palpable Art Manifesto of…

Ravilious in Essex: ‘Two Women in the Garden’, watercolour, 1932

The only art is Essex

29 August 2015 9:00 am

When I went to visit Edward Bawden he vigorously denied that there were any modern painters in Essex. That may…

French connection

22 August 2015 9:00 am

Walter Sickert was fluid in both his art and his personality: changeable in style and technique, mutable in appearance —…

‘Turning Road (Route Tournante)’, c.1905, by Paul Cézanne

Seeking closure

15 August 2015 9:00 am

A while ago, David Hockney mused on a proposal to tax the works of art stored in artists’ studios. ‘You’d…

‘Marie-Anne Françoise Liotard with a Doll’, c.1744, by Jean-Etienne Liotard

Life after death

8 August 2015 9:00 am

This is not the biggest exhibition at Edinburgh and it will not be the best attended but it may be…

Watery depths

1 August 2015 9:00 am

I learnt to splash about in watercolour at my grandmother’s knee. Or rather, sitting beside her crouched over a pad…

Portrait of the artist as a madman

25 July 2015 9:00 am

Charles Dickens’s description of Cobham Park, Kent, in The Pickwick Papers makes it seem a perfect English landscape. Among its…

‘Stonehenge’, c.1827, by J.M.W. Turner

Scholarship and folly

18 July 2015 9:00 am

It has often been related how, towards the end of his long life, a critical barb got under J.M.W. Turner’s…

Detail of a maiolica vase, c.1565–1571, a star piece for both Horace Walpole at Strawberry Hill and later for Baron Ferdinand at Waddesdon Manor

Curiouser and curiouser

11 July 2015 9:00 am

Art is not jewellery. Its value does not reside in the price of the materials from which it is made.…