Exhibitions
The odd couple: Bill Viola / Michelangelo at the RA reviewed
The joint exhibition of Michelangelo Buonarroti and Bill Viola at the Royal Academy is, at first glance, an extremely improbable…
Was Pierre Bonnard any good?
An attendant at an art gallery in France once apprehended a little old vandal, or so the story goes. He…
The joy of prints
Artists’ prints have been around for almost as long as the printed book. Indeed, they have similar origins in Gutenberg’s…
It’s hard to think of finer images of children than Gainsborough’s
When he knew that he was dying, Thomas Gainsborough selected an unfinished painting from some years before and set it…
Comparing Peanuts to existentialism is an insult – to Peanuts
For the hundredth, possibly the thousandth, time, Lucy van Pelt offers to hold the football for Charlie Brown so he…
A short history of ice skating
In landscape terms, the Fens don’t have much going for them. What you can say for them, though, is that…
![Ivory plaque of a lioness mauling a man, ivory, gold, cornelian, lapis lazuli, Nimrud, 900 BC–700 BC. [© The Trustees of the British Museum]](https://www.spectator.com.au/wp-content/uploads/2018/11/lioness_plaque.jpg?w=410&h=275&crop=1)
The Assyrians of Ashurbanipal’s time were just as into pillage and destruction as Isis
The Assyrians placed sculptures of winged human-headed bulls (lamassus) at the entrances to their capital at Nineveh, in modern Mosul,…
In the 1960s the brightest star of British art was Richard Smith – and you can see why
It is easy to assume that the contours of art history are unchanging, its major landmarks fixed for ever. Actually,…
A charming celebration of Vuillard’s muse – his mum: Barber Institute’s Maman reviewed
Fin-de-siècle Paris was not just the art capital of the world, it was also the fashion capital. In 1901, 300,000…
To say this is a ‘once in a generation’ exhibition seems absurdly modest
‘The barbarians drive us to the sea, the sea drives us to the barbarians; between these two means of death…
Like today’s conceptual artists, Burne-Jones was more interested in ideas than paint
‘I want big things to do and vast spaces,’ Edward Burne-Jones wrote to his wife Georgiana in the 1870s. ‘And…
The objects that sound witchiest on paper just look sad: Spellbound reviewed
Just in front of me, visiting Spellbound at the Ashmolean last week, was a very rational boy of about seven…
Wonderful, overwhelming, once-in-a-lifetime display of Bruegels – get on a plane now
‘About suffering’, W.H. Auden memorably argued in his poem ‘Musée des Beaux Arts’, the old masters ‘were never wrong’. Great…
Women’s toplessness caused less offence to Victorians than their trousers
‘They did not look like women, or at least a stranger new to the district might easily have been misled…
Lautrec often made the stars in his posters look appalling – but they kept coming back
You don’t need to be much of a psychologist to understand the trajectory of Henri de Toulouse-Lautrec. Born to aristocratic…
Full of fabulous, but baffling, things: Oceania reviewed
At six in the morning of 20 July 1888, Robert Louis Stevenson first set eyes on a Pacific Island. As…
There’s almost nothing in this Hayward show – and that’s the point
A reflection on still water was perhaps the first picture that Homo sapiens ever encountered. The importance of mirrors in…
The Spanish artist who is more gruesome even than Caravaggio
Last year my wife and I were wandering around the backstreets of Salamanca when we were confronted by a minor…
Authenticity over artistry: Brushes with War reviewed
The first world war paintings of Paul Nash are so vivid and emotive that they have come to embody, as…
High culture or state-of-the-art murder simulators?: Videogames: Design/Play/Disrupt reviewed
For the past few decades, admirers of video-games have every couple of years mounted a new attempt to persuade the…
A historical whodunnit that lets you into a forgotten world: The Paston Treasure reviewed
In 1675 Lady Bedingfield wrote to Robert Paston, first Earl of Yarmouth. Never, she exclaimed, had she seen anything so…
Caricature, satire and over-the-top horror: Magic Realism at Tate Modern reviewed
‘It is disastrous to name ourselves!’ So Willem de Kooning responded when some of his New York painter buddies elected…
A visionary and playful heir to Duchamp: Yves Klein at Blenheim Palace
Nothing was so interesting to Yves Klein as the void. In 1960 he leapt into it for a photograph —…
Nolde was giddily optimistic about the Nazis – they rewarded him by confiscating his works
The complexities of Schleswig-Holstein run deep. Here’s Emil Nolde, an artist born south of the German-Danish border and steeped in…
If you like monstrosities, head to the Hayward Gallery
One area of life in which globalism certainly rules is that of contemporary art. Installation, performance, the doctrine of Marcel…
