Exhibitions
The first great English artist – the life and art of Nicholas Hilliard
When Henry VIII died in 1547, he left a religiously divided country to a young iconoclast who erased a large…
Few soldiers have seen as many terrible sights as Don McCullin
Diane Arbus saw mid-20th century New York as if she was in a waking dream. Or at least that is…
The terrifying genius of Leonardo
A cataclysmic storm is unfolding. Dense, thunderous lines of black chalk sweep rapidly around the paper in frantic curls of…
Dau is not just a pretentious fraud – it’s rather disgusting
The best booers, in my experience, are the Germans. There’s real purpose and thickness to their vocals. Italians hiss. The…
Not as good as his immoral brother Eric but still wonderful: Max Gill at Ditchling reviewed
MacDonald ‘Max’ Gill (1884–1947) is less well known than his notorious brother, Eric. But was he less of a designer,…
The exceptional romantic cityscapes of Cyril Mann
The little-known painter Cyril Mann (1911-80) saw a lot from his council-flat window. Beyond the parks and trees and red-brick…
The odd couple: Bill Viola / Michelangelo at the RA reviewed
The joint exhibition of Michelangelo Buonarroti and Bill Viola at the Royal Academy is, at first glance, an extremely improbable…
Was Pierre Bonnard any good?
An attendant at an art gallery in France once apprehended a little old vandal, or so the story goes. He…
The joy of prints
Artists’ prints have been around for almost as long as the printed book. Indeed, they have similar origins in Gutenberg’s…
It’s hard to think of finer images of children than Gainsborough’s
When he knew that he was dying, Thomas Gainsborough selected an unfinished painting from some years before and set it…
Comparing Peanuts to existentialism is an insult – to Peanuts
For the hundredth, possibly the thousandth, time, Lucy van Pelt offers to hold the football for Charlie Brown so he…
A short history of ice skating
In landscape terms, the Fens don’t have much going for them. What you can say for them, though, is that…
In the 1960s the brightest star of British art was Richard Smith – and you can see why
It is easy to assume that the contours of art history are unchanging, its major landmarks fixed for ever. Actually,…
To say this is a ‘once in a generation’ exhibition seems absurdly modest
‘The barbarians drive us to the sea, the sea drives us to the barbarians; between these two means of death…
Like today’s conceptual artists, Burne-Jones was more interested in ideas than paint
‘I want big things to do and vast spaces,’ Edward Burne-Jones wrote to his wife Georgiana in the 1870s. ‘And…
The objects that sound witchiest on paper just look sad: Spellbound reviewed
Just in front of me, visiting Spellbound at the Ashmolean last week, was a very rational boy of about seven…
Wonderful, overwhelming, once-in-a-lifetime display of Bruegels – get on a plane now
‘About suffering’, W.H. Auden memorably argued in his poem ‘Musée des Beaux Arts’, the old masters ‘were never wrong’. Great…
Women’s toplessness caused less offence to Victorians than their trousers
‘They did not look like women, or at least a stranger new to the district might easily have been misled…
Lautrec often made the stars in his posters look appalling – but they kept coming back
You don’t need to be much of a psychologist to understand the trajectory of Henri de Toulouse-Lautrec. Born to aristocratic…
Full of fabulous, but baffling, things: Oceania reviewed
At six in the morning of 20 July 1888, Robert Louis Stevenson first set eyes on a Pacific Island. As…
There’s almost nothing in this Hayward show – and that’s the point
A reflection on still water was perhaps the first picture that Homo sapiens ever encountered. The importance of mirrors in…
The Spanish artist who is more gruesome even than Caravaggio
Last year my wife and I were wandering around the backstreets of Salamanca when we were confronted by a minor…