Exhibitions
Go figure
An oxymoron is a clever gambit in an exhibition title. The Whitechapel Gallery’s Radical Figures: Painting in the New Millennium…
The art of plague
Travelling around Latin America three years ago, Stephen Chambers was attracted by pharmacy signs with pictograms advertising treatments to illiterate…
Selves examined
Gwyneth Paltrow has a new neighbour. On the same block in Notting Hill as Gwynie’s Goop store, with its This…
Rooms with a view
Not long after the pubs, big galleries have all started to reopen, like flowers unfolding, one by one. The timing…
Creative destruction
For three months art lovers have had nothing but screens to look at. As one New York dealer complained to…
Age of stuckism
I’m in Mayfair and I’m boarding an airplane. Or rather, I’m boarding an approximation of an airplane. In the centre…
Hello, boys
‘Naughty little nudes,’ my history of art teacher used to say of Cranach’s Eves and Venuses. Aren’t they just? Coquettish…
‘I’ll show you what a woman can do’
The life of Artemisia Gentileschi is made for Netflix, says Laura Freeman, but it’s her art that really excites
Red or dead
There was a basket of thick red wool and two pairs of large knitting needles at the start of University…
Strokes of genius
Martin Gayford
Inside stories
Nicolaes Maes (1634–93) relished the simple moments of daily life during the Dutch Golden Age. A woman peeling parsnips over…
It’s grim up north
The strange and faintly sinister works of the Belgian artist Léon Spilliaert have been compared — not unreasonably — to…
Running on empty
Steve McQueen’s ‘Static’ (2009) impresses through its sheer directness — and it’s very far from static. A succession of helicopter-tracking…
Wigging out
British Baroque: it was never going to fly. Les rosbifs emulating the splendour of le Roi Soleil? Pas possible. Still,…
Women of the cloth
My step-grandmother Connie was an inspired needlewoman. For ten years, as a volunteer for the charity Fine Cell Work, she…
Winging it
‘Plunderers of the air’, Naum Gabo called the Luftwaffe planes. In Cornwall, during the second world war, Gabo kept cuttings…
Paper, paper everywhere
Picasso collected papers. Not just sheets of the exotic handmade stuff — though he admitted being seduced by them —……
Enchanting – but don’t fall for the mummified rubber duck in the gift shop: Tutankhamun reviewed
Like Elton John, though less ravaged, Tutankhamun’s treasures are on their final world tour. Soon these 150 artefacts will return…
Why did David Bomberg disappear?
David Bomberg was only 23 when his first solo exhibition opened in July 1914 at the Chenil Gallery in Chelsea.…
The forgotten masterpieces of Indian art
As late as the end of the 18th century, only a handful of Europeans had ever seen the legendary Mughal…
To fill a major Tate show requires a huge talent. Dora Maar didn’t have that
Dora Maar first attracted the attention of Pablo Picasso while playing a rather dangerous game at the celebrated left-bank café…
A museum-quality car-boot sale: V&A’s Cars reviewed
We were looking at a 1956 Fiat Multipla, a charming ergonomic marvel that predicted today’s popular MPVs. Rather grandly, I…
Remarkable and imaginative: Fitzwilliam Museum’s The Art of Food reviewed
Eating makes us anxious. This is a feature of contemporary life: a huge amount of attention is devoted to how…
The extraordinary paintings of Craigie Aitchison
One of the most extraordinary paintings in the exhibition of work by Craigie Aitchison at Piano Nobile (96–129 Portland Road,…
John Flaxman is the missing link between superhero movies and Homer
As you enter the forecourt of the Royal Academy, you see them. A row of artistic titans, carved in stone,…
