Arts feature
‘I’ve seen controllers come and go’: Radio 3’s Michael Berkeley interviewed
A few years ago I had a panic-stricken phone call from a female friend. ‘Help!’ she wailed. ‘Remind me what…
The unnerving world of Erik Satie’s 20-hour composition
Once Igor Levit starts playing Erik Satie at 10 a.m. on 24 April at the Queen Elizabeth Hall, he can…
The National Trust’s plans for Clandon Park are a travesty
In April 2015, a fire raged through Clandon Park, destroying much of the 18th-century Palladian mansion’s prized interiors. Contrary to…
Why we’re flocking to matinees
The Starland Vocal Band were on to something. In their 1976 hit ‘Afternoon Delight’ they sang, in gruesomely twee harmony:…
Why was this fêted Mexican painter left out of the canon?
Think of a Mexican painting, and chances are you’ll conjure up an image of an eyebrow-knitted Frida Kahlo, or a…
The true birthplace of the Renaissance
The baby reaches out to touch his mother’s scarf: he studies her face intently, and she focuses entirely on him.…
Real artists have nothing to fear from AI
Christie’s is making digital-art history again – or at least trying to. Between 20 February and 5 March, it is…
In defence of decommissioning
There’s more than a grain of truth in the popular caricature of a curator as a mother hen clucking frantically…
Tarot isn’t very old or esoteric – but it does work
Among my many fake and useless skills, I’m a reasonably decent tarot reader. I can do one for you now…
The thankless art of the librettist
Next week, after the première of Mark-Anthony Turnage’s new opera Festen, the cast and conductor will take their bow. All…
‘Innovation is not enough’: meet visionary English painter Roger Wagner
In the side chapel of the church of St Giles’, at the northern apex of the historic Oxford thoroughfare, hangs…
Was Brazil the real birthplace of modernism?
A paradox of art history: to understand the artists of the past, it helps to study how, and where, they…
Is the tide turning on restitution?
When passions are aroused, all of us are liable to overstate our case. Dan Hicks, a curator at Oxford’s extraordinary…
The architectural provocations of I.M. Pei
When first considering architects for the new Louvre in 1981, Emile Biasini, the project’s head, liked that I.M. Pei was…
The Church of the Holy Sepulchre contains terrible art – but is filled with magic
For a press tour of the Church of the Holy Sepulchre in Jerusalem – the Church of the Resurrection, the…
‘La Scala was maddening’: an interview with John Macfarlane, the finest set designer of his generation
Pantomime season is upon us, and unless your taste in colour runs no further than Smarties, there is no more…
‘When a work lands the excitement is physical’: William Kentridge interviewed
Watching William Kentridge’s film Self-Portrait as a Coffee-Pot is like being submerged inside his mind, inside the coffee pot maybe.…
Why is Fauré not more celebrated?
It is 100 years since the death of Gabriel Fauré, a composer whose spellbinding romantic tunes emerge from harmonies and…
William Morris’s debt to Islam
When William Morris was born in Walthamstow, in 1834, it was little more than a clump of marshland at the…
Much more than just a game: World of Warcraft at 20
On 23 November, the video game World of Warcraft celebrates its 20th anniversary. That’s no small thing. By most metrics,…
How a single year in Florence changed art forever
The story goes that one day early in the 16th century Leonardo da Vinci was strolling through Florence with a…
Could AI lead to a revival of decorative beauty?
In front of me is what appears to be an authentic Delft tile. The surface of the tile is mottled,…