<iframe src="//www.googletagmanager.com/ns.html?id=GTM-K3L4M3" height="0" width="0" style="display:none;visibility:hidden">

Arts feature

The tumultuous story behind Caravaggio’s last painting

13 April 2024

9:00 AM

13 April 2024

9:00 AM

For centuries no one knew who it was by or even what it was of. The picture that had hung unnoticed in a succession of noble palazzi in the Italian province of Salerno, with its deep chiaroscuro and close-cropped composition, looked like a Caravaggio – but after Caravaggio almost every painting in Naples did.

Already a subscriber? Log in

Get 3 months of digital access, absolutely free

Subscribe to The Spectator Australia today to get the next 3 months of unlimited website and app access for free.

  • Full access to spectator.com.au and spectator.co.uk
  • The Spectator Australia app, on Apple and Android
  • Podcasts and newsletters, including Morning Double Shot
  • Our archive, going back to 1828
Or

Unlock this article

REGISTER

You might disagree with half of it, but you’ll enjoy reading all of it. Try your first month for free, then just $2 a week for the remainder of your first year.


Comments

Get 3 months of digital access, absolutely free

Join the conversation with other Spectator Australia readers. Subscribe to leave a comment.

Already a subscriber? Log in

Close