Christopher Priest, now 73, has been quietly turning out oddly mesmerising fiction for nearly half a century but, like the protagonists of his 2005 novel The Glamour, somehow has the knack of never quite being noticed.
It is true that he has devoted admirers; he has won awards; he was on Granta’s original list of best young novelists — scraping in on age, not quality — and Christopher Nolan filmed, cleverly, his even cleverer novel The Prestige (1995), which was about Victorian illusionists and duplicity.
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