Classical music
An ensemble achievement that dances and sparkles: Glyndebourne’s Giulio Cesare reviewed
A classic opera production ages like wine. When David McVicar’s staging of Handel’s Giulio Cesare first opened at Glyndebourne in…
When Fauré played The Spectator
Gabriel Fauré composed his song cycle La bonne chanson in 1894 for piano and voice. But he added string parts…
Bristol’s new concert hall is extremely fine
Bristol has a new concert hall, and it’s rather good. The transformation of the old Colston Hall into the Bristol…
Meet the man who says improvisation is the key to Mozart
In August 1993, the pianist Robert Levin sat down in Walthamstow Assembly Rooms with the conductor Christopher Hogwood and the…
Across Britain punters are lapping up ultra-trad opera – the Arts Council will be disgusted
Another week at the opera, another evening with an elitist and ethically dubious art form. I love it; you love…
The mutilation of Radio 3
On Saturday 12 December 1964, Harold Wilson addressed his first Labour party conference as prime minister, George Harrison was photographed…
Baffling and vile: ETO’s Manon Lescaut reviewed
In 1937, John Barbirolli took six pieces by Henry Purcell and arranged them for an orchestra of strings, horns and…
We have lost an unforgettable teacher and one of the greatest living critics
Tanner, the critic RICHARD BRATBY Michael Tanner (1935-2024), who died earlier this month, had such a vital mind and stood…
Can everyone please shut up about Maria Callas?
Rupert Christiansen on the cult of Callas
The miracle of watching a great string quartet perform
Joseph Haydn, it’s generally agreed, invented the string quartet. And having done so, he re-invented it: again and again. Take…
A Radio 3 doc that contains some of the best insults I’ve ever heard
A recent Sunday Feature on Radio 3 contained some of the best insults I have ever heard. Contributors to the…
Every crumb of Kurtag’s music is a feast: Endgame, at the Proms, reviewed
The fun starts early in Beckett’s Endgame. Within minutes of opening his mouth, blind bully Hamm decides to starve his…
A euphoric meat-and-two-veg programme: Tonhalle-Orchester Zürich/Paavo Jarvi, at the Proms, reviewed
We used to call it a ‘meat and two veg’ programme, back in my concert planning days: the reliable set…
Doesn’t get better than this: The Threepenny Opera, at Edinburgh International Festival, reviewed
It’s the Edinburgh International Festival, and Barrie’s back in town. Once, Edinburgh was pretty much the only place that you…
Fast cars, minimalist design and en suite bathrooms: the real Rachmaninoff
Fast cars, minimalist design and en suite bathrooms: Richard Bratby visits the composer’s starkly modern Swiss home
A brilliantly cruel Cosi and punkish Petrushka but the Brits disappoint: Festival d’Aix-en-Provence reviewed
Aix is an odd place. It should be charming, with its dishevelled squares, Busby Berkeley-esque fountains, pretty ochres and pinks.…
Imagine a school concert hosted by Bela Lugosi: Budapest Festival Orchestra and Ivan Fischer, at the Proms, reviewed
‘Audience Choice’ was the promise at the Budapest Festival Orchestra’s Sunday matinee Prom, and come on – who could resist…
