visual art
If you like monstrosities, head to the Hayward Gallery
One area of life in which globalism certainly rules is that of contemporary art. Installation, performance, the doctrine of Marcel…
Alexander Calder was a volcano of invention
In the Moderna Museet in Stockholm there is a sculpture by Katharina Fritsch, which references Chekhov’s famous story ‘Lady with…
How the world was turned upside down by revelation of aerial perspectives
‘To look at ourselves from afar,’ Julian Barnes wrote in Levels of Life, ‘to make the subjective suddenly objective: this…
A short history of flash photography
All photography requires light, but the light used in flash photography is unique — shocking, intrusive and abrupt. It’s quite…
The time is right for an Erté revival – a new hero for our gender-anxious times
Erté was destined for the imperial navy. Failing that, the army. His father and uncle had been navy men. There…
A chance to see the Moomins’ creator for the genius she really was: Tove Janssons reviewed
Tove Jansson, according to her niece’s husband, was a squirt in size and could rarely be persuaded to eat, preferring…
The art of larp
‘It’s all wizards and elves, right? Dungeons & Dragons stuff?’ Such is the general response when you mention larp, or…
The forgotten history of the Tube’s ‘poster girls’
Every weekday, I travel by Tube to The Spectator’s office, staring at the posters plastered all over the walls. I…
The old ways
I’m sitting across a café table from a young man with a sheaf of drawings that have an archive look…
It’s the thought that counts
During a panel discussion in 1949, Frank Lloyd Wright made an undiplomatic comment about Marcel Duchamp’s celebrated picture of 1912,…
The Bilbao effect
Twenty years ago I wrote of the otherwise slaveringly praised Guggenheim Museum in Bilbao: I’m in a minority of, apparently,…
Snap, crackle and op
Stand in front of ‘Fall’, a painting by Bridget Riley from 1963, and the world begins to quiver and dissolve.…
Object lesson
Why did Henri Matisse not play chess? It’s a question, perhaps, that few have ever pondered. Yet the great artist…
Why confront the ugly lie of Islamic State with a tacky fake?
Can the beauty of Palmyra be reproduced by data-driven robots? Stephen Bayley on copies, fakes and forgeries
As he approaches 80, the German master Georg Baselitz contemplates the end
‘In many ways,’ Georg Baselitz muses, ‘I behaved against the grain of the times I grew up in.’ The era…
The shimmering, restless, groovy fabrics of John Piper
A story John Piper liked to tell — and the one most told about him — is of a morning…
This Parisian exhibition has rewritten the story of art
Why do we put one work of art beside another? For the most part museums and galleries tend to stick…
Ancient Egypt’s obsession with death was in fact a preoccupation with life
The Fitzwilliam Museum is marking its bicentenary with an exhibition that takes its title from Agatha Christie: Death on the…
V&A's Botticelli Reimagined has too many desperate pretenders
When Tom Birkin, hero of J.L. Carr’s novel A Month in the Country, wakes from sleeping in the sun, it…
Renaissance master? Rascal? Thief? In search of Giorgione
Question-marks over attribution are at the heart of a forthcoming Giorgione exhibition. Martin Gayford sifts through the evidence
Warhol the traditionalist: the Ashmolean Museum show reviewed
When asked the question ‘What is art?’, Andy Warhol gave a characteristically flip answer (‘Isn’t that a guy’s name?’). On…
Nikolai Astrup - Norway’s other great painter
The Norwegian artist Nikolai Astrup has been unjustly overshadowed by Edvard Munch. But that is about to change, says Claudia Massie
The link between herbaceous borders and the avant-garde
Philip Larkin once remarked that Art Tatum, a jazz musician given to ornate, multi-noted flourishes on the keyboard, reminded him…
The art of Beatrix Potter
Her best illustrations — limpid, ethereal, carefully observed — are masterly works of art in their own right, argues Matthew Dennison
Artistic taste is inversely proportional to political nous
‘Wherever the British settle, wherever they colonize,’ observed the painter Benjamin Robert Haydon, ‘they carry and will ever carry trial…
