Painting
The forgotten masterpieces of Indian art
As late as the end of the 18th century, only a handful of Europeans had ever seen the legendary Mughal…
To fill a major Tate show requires a huge talent. Dora Maar didn’t have that
Dora Maar first attracted the attention of Pablo Picasso while playing a rather dangerous game at the celebrated left-bank café…
The pleasures and perils of talking about art on the radio
‘I like not knowing why I like it,’ declared Fiona Shaw, the actress, about Georgia O’Keeffe’s extraordinary blast of colour,…
Remarkable and imaginative: Fitzwilliam Museum’s The Art of Food reviewed
Eating makes us anxious. This is a feature of contemporary life: a huge amount of attention is devoted to how…
Free of Lucian Freud — Celia Paul’s road to fulfilment
I was looking the other day at a video of the artist Celia Paul in conversation with the curator of…
The beauties of the universe are revealed in the paintings of Pieter de Hooch
In the early 1660s, Pieter de Hooch was living in an area of what we would now call urban overspill…
Pilferer, paedophile and true great: Gauguin Portraits at the National Gallery reviewed
On 25 November 1895, Camille Pissarro wrote to his son Lucien. He described how he had bumped into his erstwhile…
The rare gifts of Peter Doig
‘My basic intention,’ the late Patrick Caulfield once told me, ‘is to create some attractive place to be, maybe even…
Why has figurative painting become fashionable again?
The figure is back. Faces stare, bodies sprawl, fingers swipe, mums clutch, hands loll. The Venice Biennale was full of…
Why did Mrs Lowry hate her son’s paintings?
‘I often wonder what artists are for nowadays, what with photography and a thousand and one processes by which you…
Whooshing seedlings and squabbling stems: Ivon Hitchens at Pallant House reviewed
Set down the secateurs, silence the strimmers. Let it grow, let it grow, let it grow. Ivon Hitchens was a…
Where are the art fans in Edinburgh? Getting their eyes frazzled by Bridget Riley
The old observatory on Edinburgh’s Calton Hill may be the most favourably positioned art venue in the world. Recently resurrected…
No masterpieces but there are beautiful touches: Félix Vallotton at the RA reviewed
Félix Vallotton (1865–1925) was a member of the Nabis (the Prophets), a problematically loose agglomeration of painters, inspired by Gauguin…
Remarkable and powerful – you see her joining the old masters: Paul Rego reviewed
In 1965 a journalist asked Paula Rego why she painted. ‘To give a face to fear,’ she replied (those were…
There is a jewel of a painting at Gagosian’s Francis Bacon show
‘It is no easier to make a good painting,’ wrote Vincent van Gogh to his brother Theo, than it is…
Virtuosic exploration of paint: Frank Bowling at Tate Britain reviewed
‘The possibilities of paint,’ Frank Bowling has observed, ‘are endless.’ The superb career retrospective of his work at Tate Britain…
British surrealism at its most remarkable and nightmarish
Holding the International Surrealist Exhibition in London in 1936 was a coup for the British avant-garde, putting newbie surrealists such…
A mesmerising retrospective: Victoria Crowe at City Art Centre, Edinburgh, reviewed
This mesmerising retrospective takes up three floors of the City Art Centre, moving in distinct stages from the reedy flanks…
What makes British art British?
There’s no avoiding the Britishness of British art. It hits me every time I walk outside and see dappled trees…
A beautiful exhibition of a magnificent painter: Sean Scully at the National Gallery reviewed
Sean Scully once told me about his early days as a plasterer’s mate. At the age of 17 he was…
Absorbing – a masterclass in print-making: Edvard Munch at the British Museum reviewed
An eyewitness described Edvard Munch supervising the print of a colour lithograph in 1896. He stood in front of the…
Why were the Victorians so obsessed with the moon?
In Shakespeare’s A Midsummer Night’s Dream, a group of slightly ramshackle workmen decide to put on a play. The play…
The joy of George Shaw’s miserable paintings of a Coventry council estate
All good narrative painting contains an element of allegory, but most artists don’t go looking for it on a Coventry…
Full of lovely paintings that might lead you astray: The Renaissance Nude reviewed
Early in the 16th century, Fra Bartolomeo painted an altarpiece of St Sebastian for the church of San Marco in…
Wicked, humorous and high-spirited: Dorothea Tanning at Tate Modern reviewed
Art movements come and go but surrealism, in one form or another, has always been with us. Centuries before Freud’s…
