Modernism
Bohemian rhapsody
Rosie Millard is transported to the Impasse Ronsin, a tiny, squalid cul de sac in Paris’s 15th arrondissement that was once the centre of the modern-art world
The weekend cottage in the woods
John Ruskin believed the most beautiful things are also the most useless, citing lilies and peacocks. Had he known about…
Why did David Bomberg disappear?
David Bomberg was only 23 when his first solo exhibition opened in July 1914 at the Chenil Gallery in Chelsea.…
The man who built Britain’s first skyscraper
In 2011 Britain’s first skyscraper was finally given Grade I listing. The citation for 55 Broadway — the Gotham City-ish…
How Camilla’s grandfather helped popularise the architecture Prince Charles detests
Was the Bauhaus the most inspired art school of all time or the malignant source of an uglifying industrial culture…
Notre Dame is an architectural nullity
Notre Dame is only important from a Shakespeare’s-birthplace point of view. Architecturally it is a nullity beside the cathedrals of…
Merce Cunningham’s work was magical, intangible, Einsteinian – revival is futile
On Tuesday, thousands of miles apart, in three great cities, London, New York and Los Angeles, 75 dancers will dance…
Powerful elegy for a world that is slipping away: Tate Britain’s The Asset Strippers reviewed
There was a moment more than 20 years ago when Bankside Power Station was derelict but its transformation into Tate…
Here’s what I want from modern architecture, explains housing tsar Roger Scruton
The creation of a commission to examine beauty in new building created a stir in the media, with the chairman…
Is modernist architecture unhealthy?
Architects and politicians have a lot in common. Each seeks to influence the way we live, and on account of…
Modernist architecture isn’t barbarous – but the blinkered rejection of it is
When I was younger, one of my favourite books was James Stevens Curl’s The Victorian Celebration of Death. His latest…
Modernist architecture only worked for the wealthy
It was Le Corbusier who famously wrote that ‘A house is a machine for living in’ (‘Une maison est une…
This adaptation of Miss Julie is a textbook lesson in how to kill a classic
Polly Stenham starts her overhaul of Strindberg’s Miss Julie with the title. She gives the ‘Miss’ a miss and calls…
Embarrassing – but electrifying: Bernstein 100 reviewed
‘There is something enviable about the utter lack of inhibition with which Leonard Bernstein carries on,’ wrote the critic of…
The old ways
I’m sitting across a café table from a young man with a sheaf of drawings that have an archive look…
Close encounters
A story John Piper liked to tell — and the one most told about him — is of a morning…
The great inscape
‘I am 12 miles from a lemon,’ lamented that bon vivant clergyman Sydney Smith on reaching one country posting. He…
Big is beautiful: A crushing case for brutalism — with the people left out
Elain Harwood’s flawed but impressive study of modernist architecture manages perfectly to reflect its subject, says David Kynaston
Hitler’s émigrés
German-speaking refugees dragged British culture into the 20th century. But that didn’t go down well in Stepney or Stevenage, says William Cook
Lines of beauty
David Jones (1895–1974) was a remarkable figure: artist and poet, he was a great original in both disciplines. His was…
God’s architect
Palladio gave his name to a style that spread around the world. But was it too successful for its own good, wonders Stephen Bayley
![‘Sculpture with Colour (Deep Blue and Red) [6]’, 1943, by Barbara Hepworth](https://www.spectator.com.au/wp-content/uploads/2015/06/exhibitions1.jpg?w=410&h=275&crop=1)
Shape-shifter
In the last two decades of her life, Barbara Hepworth was a big figure in the world of art. A…
Restoration drama
Yes William Cook Rejoice! Rejoice! Fifty-four years after its destruction, Euston Arch has returned to Euston. Well, after a fashion.…
Dedicated follower of fascism?
The ‘revelations’, 50 years after he drowned, that Le Corbusier was a ‘fascist’ and an anti-Semite are neither fresh nor…
Tribes of one
The British painter Nina Hamnett recalled that Modigliani had a very large, very untidy studio. Dangling from the end of…
