Fitzwilliam Museum
Why is the smoky, febrile art of Marcelle Hanselaar so little known?
I first became aware of the work of Marcelle Hanselaar in a mixed exhibition at the Millinery Works in Islington.…
Remarkable and imaginative: Fitzwilliam Museum’s The Art of Food reviewed
Eating makes us anxious. This is a feature of contemporary life: a huge amount of attention is devoted to how…
Why it’s bad for potters to think of themselves as artists
A friend of mine once owned a vase by the potter Hans Coper — until, that is, her teenage son…
I spy
Where was Degas standing as he sketched his ‘Laundresses’ (c.1882–4)? Did he watch the two women from behind sheets hanging…
Ancient Egypt’s obsession with death was in fact a preoccupation with life
The Fitzwilliam Museum is marking its bicentenary with an exhibition that takes its title from Agatha Christie: Death on the…
Whole worlds are conjured up in a few strokes: Watercolour at the Fitzwilliam Museum reviewed
I learnt to splash about in watercolour at my grandmother’s knee. Or rather, sitting beside her crouched over a pad…
The secret world of the artist's mannequin
A 19th-century London artists’ supplier named Charles Roberson offered imitation human beings for sale or rent, with papier-mâché heads, soft…
Is John Hoyland the new Turner?
What happens to an artist’s reputation when he dies? Traditionally, there was a period of cooling off when the reputation,…
