Film
Cheesy feat
Go see Pablo Larrain’s Spencer, which stars Kristen Stewart as Princess Diana, and the next day you will wonder: did…
To Di for
Jasper Rees talks to the Chilean director Pablo Larrain about his new film, Spencer, which makes The Crown look like royalist propaganda
Take two women
Passing is Rebecca Hall’s adaptation of the Nella Larsen novella (1929) about two biracial women, one of whom chooses to…
Dutch courage
The Forgotten Battle is a Dutch feature film commemorating the desperate and relatively little-known Allied assault on the Scheldt estuary…
Terminal whimsy
The American filmmaker Wes Anderson has an apartment in Paris and has always yearned to make a French movie but…
The quiet Glaswegian
Robert Jackman talks to Robert Carlyle about Begbie, playing a Tory prime minister and the merits of keeping your head down
Bleak, brutal and bloody
Ridley Scott’s The Last Duel is set in the 14th century and is a tale of rivalry and rape told…
Di another day
This week, an excellent film (Moving On) and a film that isn’t at all, but is entirely worth it as…
Lights, camera, traction
There’s a great revival under way in the British TV and film industry, but it’s not the BBC that’s behind…
The BBC is being left behind in blockbuster Britain
There’s a great revival under way inthe British TV and film industry,but it’s not the BBC that’s behind it.Netflix is…
The secret spy films made by MI6
Those attending the premiere of No Time to Die this week would perhaps be surprised to learn that the Bond…
Man and boy
So how exactly did Tony Soprano become a New Jersey mob boss? It’s 1967 and young Anthony is struggling to…
Giving the devil his due
The Sopranos – the greatest television show in history – far outshines its progenitors, says Tanya Gold
No cojones
It’s a hard heart that doesn’t warm to the musical drama Everybody’s Talking About Jamie. I don’t have a hard…
Bricking it
Herself is an intensely powerful film about domestic violence that isn’t Nil By Mouth or The Killer Inside Me or…
High life
Gstaad Good manners aside, what I miss nowadays is a new, intelligent, finely acted movie. Never have I seen…
Odd and odder
Leos Carax is the director whose films have always been wilfully odd. Ron and Russell Mael (the brothers from the…
Why I love Basic Instinct
Our occasional series on cinema’s most underrated films arrives at what many have considered the peak of misogynistic trash. We’re…
Food for thought
What use does a fallen and corrupted world have for a man of integrity? This was not the question I…
Secrets and spies
The Courier is a Cold War spy thriller and the prospect of a Cold War spy thriller always makes my…
Such tweet sorrow
The distinction between on and offline life blurred long ago. The greatest spats, sexual self-fashionings and mad soliloquies now unfurl…
The ghost in the corner of the room
Strange, really, that the scheduled output of traditional broadcasters became known as ‘terrestrial’ television, given that TV is an etheric…
Growing pains
The biggest challenge in reviewing M. Night Shyamalan’s Old lies in describing its central idea without making the film sound…
Bring on the tissues
Not one, but two British films this week, one that’s only being screened at the cinema (if you’re brave enough)…






























