Dance

Wayne’s world

28 October 2017 9:00 am

Ballet would have been an obvious revenue stream for Sadler’s Wells when it reopened back in 1998 but straight-up classics…

Dancers of the Royal Ballet in Christopher Wheeldon’s Alice’s Adventures in Wonderland

Pretty vacant

7 October 2017 9:00 am

Alice is at it again. Christopher Wheeldon’s 2011 three-act ballet began another sell-out run at Covent Garden last week. It’s…

Bring on the dancing-girls: Follies at the Oliver

Age concern

16 September 2017 9:00 am

Stephen Sondheim’s Follies takes a huge leap into the past. It’s 1971 and we meet two middle-aged couples who knew…

The glorious Grand Pas from Paquita, part of the Mariinsky’s triple bill

Not vintage Mariinsky

19 August 2017 9:00 am

Not really a vintage Mariinsky season — an odd choice of repertoire and some hit-and-miss male casting — but the…

Mad about the boy

5 August 2017 9:00 am

Tall, handsome boys with long legs and beautifully arched feet do not grow on trees (if only). Every ballet director…

Miranda Richardson in Robert Wilson’s 1996 production of Orlando for the EIF

Show up and show off

29 July 2017 9:00 am

The Edinburgh Festival was founded as a response to war. The inaugural event, held in 1947, was the brainchild of…

They like to move it: voguing at Club a la Mode, New York, 1998

Yes sir, we can boogie

15 July 2017 9:00 am

It’s dance — but not as you know it. A giddy mass of flying limbs, sashaying hips and pouty faces.…

Victoria Sibson as Bertha Mason and Javier Torres as Edward Rochester in Cathy Marston’s ‘Jane Eyre’

Northern Ballet has triumphed with Brontë: Jane Eyre reviewed

4 June 2016 9:00 am

The difference between a poor ballet of the book (see the Royal Ballet’s Frankenstein) and a good one — indeed…

Predictably meh: Scottish Ballet’s new Swan Lake reviewed

7 May 2016 9:00 am

Every ballet company wants a box-office earner. But why Scottish Ballet’s leader Christopher Hampson kept on at David Dawson until…

A new dance piece in which race definitely matters: Ballet Black’s Triple Bill reviewed

2 April 2016 9:00 am

Ballet’s romantic mantra could be summed up by John Keats’s ballad ‘La Belle Dame sans Merci’, in which a young…

I felt the earth move just as before: Akram Khan’s Kaash reviewed

19 March 2016 9:00 am

You revisit an old love with wariness. Time’s passed for both of you — sharp edges have been smoothed, and…

Now that's what I call sex: Birmingham Royal Ballet's Ashton Double Bill reviewed

5 March 2016 9:00 am

That joke about the young bull who tells the old bull, ‘Hey, Dad, see all those cows — let’s run…

Fallen woman: Natalia Osipova as Amélie Gautreau

Wheeldon’s new ballet lacks guts: Royal Ballet’s Strapless reviewed

20 February 2016 9:00 am

How could it possibly go wrong? The magnetic, seething Russian star Natalia Osipova playing the tragic woman in John Singer…

Gorgeous, visionary sights from Akram Khan at the Roundhouse

6 February 2016 9:00 am

How much of a compromise does a fashionable choreographer loved by all have to make with his paymasters? When he’s…

We’re entering a new era for dance - expect big ballets with big stories

16 January 2016 9:00 am

Dance has its own archaeological periods, and 2016’s schedules are confirming what 2015 indicated — that the era of dances…

Why did a Russian ballet dancer throw acid in his boss’s face?

12 December 2015 9:00 am

The 16th June 1961 and 17th January 2013 are two indelible dates in the annals of Russian ballet. Two events…

Is Twitter now in charge of the Royal Ballet’s artistic programming?

5 December 2015 9:00 am

For all the billing and cooing on public forums about the Royal Ballet’s The Two Pigeons revival, there’s a silent…

Rambert Dance: one piercing masterpiece - and one dud

21 November 2015 9:00 am

Mark Baldwin, artistic director of Rambert Dance, must take responsibility for most of the good times I’ve had recently, midwife…

Carlos Acosta’s incoherent Carmen is a disaster

7 November 2015 9:00 am

The love that asks no questions, the love that pays the price… The amount of unconditional love sloshing about at…

This Juliet needs a new Romeo

29 October 2015 9:00 am

You always remember your first time, don’t you? And in ballet one imagines that Juliet wants to remember her first…

Giselle has floored many a ballerina — it did so again last week

17 October 2015 8:00 am

English has all sorts of emotive metaphors for how we feel about the ground. We’re floored. Or well grounded. Or…

From top left: Lucian Freud, Rudolf Bing, Stefan Zweig, Walter Gropius, Rudolf Laban, Max Born, Kurt Schwitters, Friedrich Hayek, Fritz Busch, Frank Auerbach, Emeric Pressburger, Oskar Kokoschka

German refugees transformed British cultural life - but at a price

3 October 2015 9:00 am

Next week Frank Auerbach will be honoured by the British art establishment with a one-man show at Tate Britain. It’s…

War, socialist tyranny and the oppression of the handicapped - welcome to the new dance season

19 September 2015 8:00 am

If there’s one thing scarcer than hen’s teeth in serious choreography nowadays, it’s a light heart. When was the last…

Dance from Edinburgh: a flamenco master who could tell classical ballet a thing or two

29 August 2015 9:00 am

Every August when London dims, Edinburgh calls, promising nothing less than ‘the greats of the arts’ at the International Festival.…

Sylvie Guillem’s better than ever in her final, final Coliseum farewell

15 August 2015 9:00 am

The blackness that sweeps along the stage behind Sylvie Guillem’s disappearing figure in the Russell Maliphant piece on her farewell…