Dance

You can feel as if you’re in a colony of rabbits: Matthew Bourne’s Car Man reviewed

1 August 2015 9:00 am

Hot, languorous, sizzling… I was thinking what an ideal show Matthew Bourne’s noir comedy is to watch on a summer’s…

The Sun King deserves better than this silly cabaret from Birmingham Royal Ballet

4 July 2015 9:00 am

It’s a comfort that the creation of a new ballet inspired by French court entertainment can still happen in the…

The choreographer that does things to tango couples that Relate would not recommend

20 June 2015 9:00 am

I often regret that I’m writing in the past tense here, but never more than about milonga. It is such…

Sylvie Guillem, in savage-child tunic and a Mowgli wig, says farewell to her fans

Is that Sylvie Guillem? Or R2-D2? Guillem's farewell dance at Sadler’s Wells reviewed

6 June 2015 9:00 am

There’s been a clutch of middle-aged danseuses taking leave of life in one way or another recently. We’ve seen the…

Rapture - and loathing: Woolf Works at the Royal Ballet reviewed

23 May 2015 9:00 am

People have been saying that Wayne McGregor’s new Woolf Works has reinvented the three-act ballet, but not so. William Forsythe…

Rosie Kay’s 5 Soldiers: brutishly physical and powerfully striking

9 May 2015 9:00 am

In dance, it’s usually the moment the boys start fighting that challenges your suspension of disbelief. Synchronised fencing (MacMillan’s Romeo…

Vadim Muntagirov and Laura Morera in ‘La Fille mal gardée’

La Fille mal gardee at the Royal Opera House reviewed: light, lithe and tender

25 April 2015 9:00 am

The current talking-point at the Royal Ballet is the Russians milling around. One can sound unfortunately as if one’s starting…

An Indian Bayadère that meets a sludgy end

11 April 2015 9:00 am

For an Indian woman to make a dancework about La Bayadère is a promising prospect. This classical ballet of 1877…

50 shades of beige: English National Ballet's Modern Masters at Sadler's Wells, reviewed

21 March 2015 9:00 am

My moment of the week was stumbling into the shocking, fantastical Cabinet of Curiosities in the Alexander McQueen show at…

A legendary piece of iconoclastic dance returns. Does the piece still stand up?

28 February 2015 9:00 am

Funny how things turn upside-down with time. A work of contemporary dance that made an iconoclastic splash decades ago is…

Wings of desire: film still of Natalia Makarova and Anthony Dowell in ‘Swan Lake’, 1980

Will the real Swan Lake please stand up

21 February 2015 9:00 am

It is the end of an era — the Royal Ballet’s extravagant Fabergé-egg Swan Lake production by Anthony Dowell is…

The Associates at Sadler's Wells reviewed: another acutely inventive work from Crystal Pite

14 February 2015 9:00 am

The prodigious streetdancer Tommy Franzén pops up everywhere from family-friendly hip-hop shows by ZooNation, Boy Blue and Bounce to serious…

London International Mime Festival review: on juggling, dance and Wayne Rooney's hair transplant

31 January 2015 9:00 am

January is something of a palate-cleanser for the year, as the London International Mime Festival flies in plane-loads of companies…

ENB’s Swan Lake: the rights and wrongs of ballet thighs

17 January 2015 9:00 am

There’s been heated disagreement over the past week about what’s right and wrong. Is the rocket-propelled ex-Bolshoi enfant terrible Ivan…

Royal Opera’s Orfeo, Roundhouse: shouts its agenda so loudly the music struggles to be heard

17 January 2015 9:00 am

What a week to stage an opera about art’s power to challenge institutional authority, oppression — even death itself. Orfeo’s…

Better than Leslie Caron: Leanne Cope (Lise) and the company in ‘An American in Paris’

An American in Paris: a zingy new Wheeldon dance-musical that you won’t want to miss

3 January 2015 9:00 am

A new year must start with hope and resolution, and if you’re very rich, with influence in the highest places,…

Sacred Monsters, Sadler’s Wells: Sylvie Guillem and Akram Kham’s captivating final boogie

6 December 2014 9:00 am

I’m dashing between dance theatres at the moment and there’s just so much to tell you about. I could linger…

‘This era’s supreme objet d’art’: Sylvie Guillem in 1985, aged 19, in her Paris Opera dressing-room

Sylvie Guillem interview: ‘A lot of people hate me. Bon. You can’t please everybody’

15 November 2014 9:00 am

If you follow dance or music closely, make them part of your life, you look on certain performers as your…

Thomas Ades’s Polaris at Sadler’s Wells: the dance premiere of the year

15 November 2014 9:00 am

This has been an extraordinarily exciting fortnight, on and off stage. Premieres in anything from ice-skating to classical ballet, charismatic…

Martha Graham and Bertram Ross in Graham’s most famous work ‘Appalachian Spring’ (1944), with a prize-winning score by Aaron Copeland

To call this offering a book is an abuse of language

8 November 2014 9:00 am

I picked up this book with real enthusiasm. Who cannot be entranced by those 20 years after the second world…

All was beauteous with the Royal Ballet’s ‘Symphonic Variations’ on the first night

Birmingham Royal Ballet and the Royal Ballet battle for the heart of English dance

1 November 2014 9:00 am

English ballet erupted out of the second world war in the hands of the rival choreographers Frederick Ashton and Robert…

Does a tart like Manon have a place in the Royal Ballet repertoire?

4 October 2014 9:00 am

What can the Royal Opera House be insinuating about its target audience? No sooner had Anna Nicole closed than Manon…