<iframe src="//www.googletagmanager.com/ns.html?id=GTM-K3L4M3" height="0" width="0" style="display:none;visibility:hidden">

Dance

From the sublime to the ridiculous: Royal Ballet's MacMillan triple bill reviewed

30 March 2024

9:00 AM

30 March 2024

9:00 AM

Danses Concertantes/Different Drummer/Requiem

Royal Opera House, in rep until 13 April

Kidd Pivot: Assembly Hall

Sadler’s Wells

My feelings about the genius of Kenneth MacMillan have always been volatile, but in the course of the Royal Ballet’s current triple bill, they veered even more wildly than usual between uncomplicated delight, awed reverence and embarrassment.

A revival of his early Danses Concertantes, firing off Stravinsky at his most effervescent and designed with exuberantly colourful Festival-of-Britain jazziness by Nicholas Georgiadis, provided half an hour of pure joy.

Already a subscriber? Log in

Subscribe for just $2 a week

Try a month of The Spectator Australia absolutely free and without commitment. Not only that but – if you choose to continue – you’ll pay just $2 a week for your first year.

  • Unlimited access to spectator.com.au and app
  • The weekly edition on the Spectator Australia app
  • Spectator podcasts and newsletters
  • Full access to spectator.co.uk
Or

Unlock this article

REGISTER

You might disagree with half of it, but you’ll enjoy reading all of it. Try your first month for free, then just $2 a week for the remainder of your first year.


Comments

Don't miss out

Join the conversation with other Spectator Australia readers. Subscribe to leave a comment.

Already a subscriber? Log in

Close