Architecture
From Stansted to corporate swank: superstructuralism has a lot to answer for
Amid the thick of the Crimean war, Florence Nightingale dispatched a plea to the Times deploring the lethal conditions of…
Mission statement: the importance of a fine British embassy
At first blush this looks like one of those run-of-the-mill coffee-table books published just for the Christmas market — expensively…
A love letter to Turkey’s lost past
Patricia Daunt’s collection of essays is a fascinating exploration of some of Turkey’s most beautiful and evocative places, from the…
The old ways
I’m sitting across a café table from a young man with a sheaf of drawings that have an archive look…
More secrets and symbols
Being reflexively snotty about Dan Brown’s writing is like slagging off Donald Trump’s spelling: it just entrenches everyone’s position. In…
The Bilbao effect
Twenty years ago I wrote of the otherwise slaveringly praised Guggenheim Museum in Bilbao: I’m in a minority of, apparently,…
Perception vs objective reality
I hate to tell you this, but every time you watch television you are being duped. In fact there are…
Pleasure palaces and hidden gems
Theatre buildings are seriously interesting – as I ought to have appreciated sooner in the course of 25 years writing…
Cathedral of creation
Sometimes, it pays to rediscover what’s already under your nose. I’ve been umpteen times to the Natural History Museum but…
Towering extravagance
The Shard is an unnecessary building. Nobody apart from its developer asked for it to be built. Nobody was crying…
Epiphanic
‘I love the pumping station,’ said my husband, waving a copy of the Docklands and East London Advertiser which reported…
To buy cheap art, buy architecture
Of the 375,000 listed buildings in England only 2.5 per cent are Grade I. Half are churches; many are otherwise…
The great pretenders
Can the beauty of Palmyra be reproduced by data-driven robots? Stephen Bayley on copies, fakes and forgeries
Giving Tate Modern a lift
Tate Modern, badly overcrowded, has built itself a £260 million extension to spread everyone about the place more. This means…
Gaudy! Bright! Loud! Fun!
Best of postmodernism: is that an oxymoron? Jonathan Meades thinks not
Symbols of eternity
On the banks of the River Thames in central London, an ancient Egyptian obelisk, known as Cleopatra’s Needle, reaches towards…
Trapped in hell
The mechanic, blinded in one eye by shrapnel, spent three days searching for his family in the destroyed buildings and…
Downtown Los Angeles
There’s a certain kind of Englishman who falls hard for Los Angeles. Men such as Graham Nash, who swapped the…
Diary
Just as the presidential race in America started to get really crazy, I left for India. On the morning of…
‘Excess is obnoxious’
Justin Marozzi on the bitter irony of Aleppo’s ancient motto
Dying of the light
Finding St Peter’s is not straightforward. I approach the wrong way, driving up a pot-holed farm track between a golf…
Thomas Heatherwick
Thomas Heatherwick is the most famous designer in the United Kingdom today and has an unquestionable flair for attention-grabbing creations.…
Intelligent design
Peter Mandelson, in his moment of pomp, had his portrait taken by Lord Snowdon. He is sitting on a fine…
The clock towers bigger than Big Ben
Bigger Bens Big Ben will have a £29m refurbishment. Who has the biggest clock tower? Kremlin Clock: Installed on the…
Big is beautiful: A crushing case for brutalism — with the people left out
Elain Harwood’s flawed but impressive study of modernist architecture manages perfectly to reflect its subject, says David Kynaston
