Arts

Why I’m stepping down after 28 years as The Spectator pop critic

10 October 2015 9:00 am

Pop's place in culture has changed drastically. Marcus Berkmann explains why, after 27 years, it is time to step down as The Spectator's pop critic

Culture buff

10 October 2015 9:00 am

It’s a fairly assertive title: The Greats -Masterpieces of the National Galleries of Scotland. The assertiveness is justified; the galleries…

Cats, whisky and modernity: the J.G. Ballard I knew

8 October 2015 2:00 pm

That cinema is having another Ballardian moment will surprise few fans. J.G. Ballard, who died of cancer in 2009 at…

They do more than just ninny about in elaborate hats, thank Christ: Suffragette reviewed

8 October 2015 2:00 pm

Suffragette is one of those films in which the parts are greater than the sum. Or, in this instance, the…

Why I’m stepping down after 28 years as The Spectator pop critic

8 October 2015 2:00 pm

This is my 345th and last monthly column about pop music for The Spectator. I believe I might be the…

Why did Goya’s sitters put up with his brutal honesty?

8 October 2015 2:00 pm

Sometimes, contrary to a widespread suspicion, critics do get it right. On 17 August, 1798 an anonymous contributor to the…

Please let’s have more musicals like this Kiss Me, Kate at Opera North

8 October 2015 2:00 pm

Opera North’s new production of Cole Porter’s masterwork Kiss Me, Kate has been so widely and justly praised that I…

Please let’s have more musicals like this Kiss Me, Kate at Opera North

8 October 2015 2:00 pm

Opera North’s new production of Cole Porter’s masterwork Kiss Me, Kate has been so widely and justly praised that I…

It may have a meagre script and no plot but Farinelli and the King is still a major work of art

8 October 2015 2:00 pm

Philippe V was a Bourbon prince who secured the throne of Spain using his family connections. Claire van Kampen is…

It may have a meagre script and no plot but Farinelli and the King is still a major work of art

8 October 2015 2:00 pm

Philippe V was a Bourbon prince who secured the throne of Spain using his family connections. Claire van Kampen is…

I’ve never thought much of John Lennon’s music – until now

8 October 2015 2:00 pm

It’s probably blasphemous to admit that I’ve never thought very much of John Lennon’s music. Common sense tells me it…

I’ve never thought much of John Lennon’s music – until now

8 October 2015 2:00 pm

It’s probably blasphemous to admit that I’ve never thought very much of John Lennon’s music. Common sense tells me it…

Was BBC1’s Rooney hagiography more scripted reality than documentary?

8 October 2015 2:00 pm

Close to the Edge (BBC4, Tuesday) feels very much like an idea conceived during a particularly good night in the…

From top left: Lucian Freud, Rudolf Bing, Stefan Zweig, Walter Gropius, Rudolf Laban, Max Born, Kurt Schwitters, Friedrich Hayek, Fritz Busch, Frank Auerbach, Emeric Pressburger, Oskar Kokoschka

Hitler’s émigrés

3 October 2015 9:00 am

German-speaking refugees dragged British culture into the 20th century. But that didn’t go down well in Stepney or Stevenage, says William Cook

Michael Fassbender: animal magnetism but no clue as to what oils Macbeth’s cogs

Speech impediment

3 October 2015 9:00 am

Who goes to big-screen Shakespeare? Not theatre-goers much, and with reason. Apart from the odd corker by Kurosawa, arguably Olivier…

'A glittering concentrate of fury in her dark eyes': Patricia Racette as Katerina Ismailova in 'Lady Macbeth of Mtsensk'

Lady killer

3 October 2015 9:00 am

‘Kiss me, Sergei! Kiss me hard! Kiss me until the icons fall and split!’ sings Katerina Ismailova, adulterous antiheroine of…

Gutted!

3 October 2015 9:00 am

There was blood on the walls and floor at the birth of Kenneth MacMillan’s Romeo and Juliet in 1965. The…

Culture buff

3 October 2015 9:00 am

1989 saw the establishment by Paul Dyer of the Australian Brandenburg Orchestra with the assistance of Bruce Applebaum as General…

‘I want to break free-eee!’: Madeleine Worrall as Jane, the 19th century’s Freddie Mercury, in ‘Jane Eyre’ at the Lyttelton

Foote fault

3 October 2015 8:00 am

Samuel Foote (1720–77) was a star of the 18th-century stage who avoided the censors by extemporising his performances. Today we’d…

Margit Carstensen as Petra, downing gin and grovelling on her deep-pile carpet, in ‘The Bitter Tears of Petra von Kant’

Incomprehensible genius

3 October 2015 8:00 am

London’s Goethe-Institut has a two-month season of films of Rainer Werner Fassbinder (whose 70th anniversary it’s celebrating), but only five…

‘Dead Rabbit’, 1962, by Dennis Creffield

Now you see it, now you don’t

3 October 2015 8:00 am

The artist, according to Walter Sickert, ‘is he who can take a piece of flint and wring out of it…

Independents’ day

3 October 2015 8:00 am

I really hadn’t meant to write a postscript to last week’s column on my dark Supertramp past. But then along…

Special effects

3 October 2015 8:00 am

Maybe what we love about radio is the way that most of its programming allows us the luxury of staying…

Michael Fassbender: animal magnetism but no clue as to what oils Macbeth’s cogs

Speech impediment

1 October 2015 1:00 pm

Who goes to big-screen Shakespeare? Not theatre-goers much, and with reason. Apart from the odd corker by Kurosawa, arguably Olivier…

Margit Carstensen as Petra, downing gin and grovelling on her deep-pile carpet, in ‘The Bitter Tears of Petra von Kant’

Incomprehensible genius

1 October 2015 1:00 pm

London’s Goethe-Institut has a two-month season of films of Rainer Werner Fassbinder (whose 70th anniversary it’s celebrating), but only five…