Arts
All at sea
The Royal Opera House seemed nervous about Georg Friedrich Haas’s world première Morgen und Abend. They sent out a pdf…
All at sea
The Royal Opera House seemed nervous about Georg Friedrich Haas’s world première Morgen und Abend. They sent out a pdf…
How Technicolor came to dominate cinema
Peter Hoskin celebrates Technicolor’s 100th birthday
That Force of Destiny isn’t a great evening is the fault of Verdi not ENO
The Force of Destiny, ENO’s latest offering to its ‘stakeholders’, as its audiences are now called thanks to Cressida Pollock,…
The man who made abstract art fly
One day, in October 1930, Alexander Calder visited the great abstract painter Piet Mondrian in his apartment in Paris. The…
Was Steve Jobs really a genius?
Steve Jobs is a film about a man in whom I have little interest, but for 120 minutes I was…
How did this plotless goon-show wind up at the Royal Court?
One of the challenges of art is to know the difference between innovation and error. I wonder sometimes if the…
Spying and potting
The main problem with being a TV critic, I’ve noticed over the years, is that you have to watch so…
Bach breaking
It’s just not what you expect to hear on Radio 3 but I happened upon Music Matters on Saturday morning…
Culture buff
James Bond as played by Daniel Craig in the new movie Spectre might have been surprised to find himself sharing…
How Technicolor came to dominate cinema
They’ve already found a cure for the common cold. It’s called Technicolor. My first dose of it came during the…
Was Steve Jobs really a genius?
Steve Jobs is a film about a man in whom I have little interest, but for 120 minutes I was…
The man who made abstract art fly
One day, in October 1930, Alexander Calder visited the great abstract painter Piet Mondrian in his apartment in Paris. The…
That Force of Destiny isn’t a great evening is the fault of Verdi not ENO
The Force of Destiny, ENO’s latest offering to its ‘stakeholders’, as its audiences are now called thanks to Cressida Pollock,…
That Force of Destiny isn’t a great evening is the fault of Verdi not ENO
The Force of Destiny, ENO’s latest offering to its ‘stakeholders’, as its audiences are now called thanks to Cressida Pollock,…
How did this plotless goon-show wind up at the Royal Court?
One of the challenges of art is to know the difference between innovation and error. I wonder sometimes if the…
How did this plotless goon-show wind up at the Royal Court?
One of the challenges of art is to know the difference between innovation and error. I wonder sometimes if the…
Bach breaking
It’s just not what you expect to hear on Radio 3 but I happened upon Music Matters on Saturday morning…
Bach breaking
It’s just not what you expect to hear on Radio 3 but I happened upon Music Matters on Saturday morning…
Spying and potting
The main problem with being a TV critic, I’ve noticed over the years, is that you have to watch so…
Theatre and transgression in Europe’s last dictatorship
Juan Holzmann goes underground in Minsk with the Belarus Free Theatre
M.C. Escher: limited, repetitive, but he deserves a place in art history
‘Surely,’ mused the Dutch artist M.C. Escher, ‘it is a bit absurd to draw a few lines and then claim:…
Northern Ireland Opera’s Turandot will fill you with awe and revulsion
Chords as bright and sweet as pomegranate seeds burst and spill in Turandot, a splinter of bitterness at their centre.…
Glyndebourne caters to the lower-middle classes not past-it toffs
What is Glyndebourne? A middle-aged Bullingdon. That’s a common view: a luxury bun fight for past-it toffs who glug champagne,…
West End wannabe
The love that asks no questions, the love that pays the price… The amount of unconditional love sloshing about at…
