Arts
Can Deborah Ross finish her Tolkien review before it fades from memory?
Tolkien is a biopic covering the early life of J.R.R. Tolkien (Nicholas Hoult) and it is not especially memorable. I’m…
One of the great whodunnits: Old Vic’s All My Sons reviewed
It starts on a beautiful summer’s morning in the suburbs of America. A prosperous middle-aged dad is chatting with his…
Moore’s art has never looked better: Henry Moore at Houghton Hall reviewed
Henry Moore was, it seems, one of the most notable fresh-air fiends in art history. Not only did he prefer…
Royal portraits at Bendigo
One of our favourite places in London is in St Martin’s Place, just around the corner from Trafalgar Square and…
What makes British art British?
There’s no avoiding the Britishness of British art. It hits me every time I walk outside and see dappled trees…
Hearing Gilbert & Sullivan on period instruments was a revelation
‘I consider that music is, by its very nature, essentially powerless to express anything at all,’ wrote Stravinsky in one…
Notre Dame is an architectural nullity
Notre Dame is only important from a Shakespeare’s-birthplace point of view. Architecturally it is a nullity beside the cathedrals of…
Not nearly as good as the book: Bel Canto reviewed
Bel Canto is an adaptation of the Ann Patchett novel first published in 2001, which I remembered as being brilliant…
Why was Something Understood cut?
It was never given the choicest slot in the schedule, airing first thing on Sunday morning with a repeat at…
Why has Frankie Boyle gone so soft?
‘I spend a lot of time helping teenagers who’ve been sexually abused…’ — beat — ‘…find their way out of…
One of the most astonishing things I’ve ever seen in the theatre: A German Life reviewed
It starts at a secretarial college. The stage is occupied by a dignified elderly lady who recalls her pleasure at…
Stanislav Kochanovsky
The Melbourne Symphony was really on to something in 2017 when it engaged a young Russian conductor for a Rachmaninov…
Whitby Abbey is at the heart of Britain’s spiritual and literary history
The 199 steps up to the ruins of Whitby Abbey are a pilgrimage; they always have been. And any good…
A beautiful exhibition of a magnificent painter: Sean Scully at the National Gallery reviewed
Sean Scully once told me about his early days as a plasterer’s mate. At the age of 17 he was…
The daunting, uplifting prose of The Psalms
As if in defiance of the BBC’s current obsession with programming designed to entice in that elusive young and modish…
I admire the scale and ambition of Game of Thrones – but isn’t it just a little bit corny?
If you’ve ever faced the social embarrassment of having to admit that you’ve never seen Game of Thrones (Sky Atlantic,…
A gratifying evocation of 1960s sweets – but I wanted more: Toast reviewed
Nigel Slater is popular because he’s an exceptionally meek cook. Not for him the sprawling restaurant empire or the transatlantic…
Manspreading, The Movie: Loro reviewed
Fans of Paolo Sorrentino’s Il Divo, The Great Beauty (which won an Oscar) and his HBO series, The Young Pope,…
At her best Robyn is magical – but her contribution to pop is hardly unique
Last autumn, anyone who a) has an interest in pop music, and b) reads the weightier end of the press,…
Melbourne cast of Cosi
It was one of the most delightful Australian films of the 1990s. Directed by Mark Joffe, Cosi was also one…
Absorbing – a masterclass in print-making: Edvard Munch at the British Museum reviewed
An eyewitness described Edvard Munch supervising the print of a colour lithograph in 1896. He stood in front of the…
Why did Parry’s Judith vanish?
‘When a man takes it upon himself to write an oratorio — perhaps the most gratuitous exploit open to a…
Enjoyable but over-rated and elitist: Caryl Churchill’s Top Girls reviewed
Caryl Churchill’s best-known play, Top Girls, owes a large debt to 1970s TV comedy. It opens with a Pythonesque dinner…











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