Arts
Much is routine – and a fair amount is worse: Glyndebourne’s Madama Butterfly reviewed
There is no such thing as a moderately good performance of Madama Butterfly, or, to be more precise, it’s not…
I desperately wanted to love Edie but I couldn’t
Edie tells the story of an 84-year-old woman who wants to fulfil a girlhood ambition by climbing a Scottish mountain.…
Emma Pearson
A remarkable achievement; since its inception in 2002, Pinchgut Opera has staged 20 rarely performed operas, many for the first…
The real stars of Kew’s newly restored Temperate House
The glasshouses at Kew Gardens are so popular that they can be quite unbearably busy at weekends. And why shouldn’t…
Whoever signed off on the ending deserves a good thrashing: On Chesil Beach reviewed
On Chesil Beach is an adaptation of the Ian McEwen novella set in 1962 when ‘conversation about sexual difficulties was…
The troubling history behind the healthy, happy smile
In his Physiognomische Fragmente, published between 1775 and 1778, the Swiss physiognomist Johann Kaspar Lavater insisted that ‘clean, white and…
How does David Matthews get away with writing symphonies with tunes in them?
‘All fish in flood and fowl of flight/ Be mirthful now and make melody’ writes the poet William Dunbar in…
The greatest French museum you’ve never heard of
Imagine a French museum that’s second only to the Louvre when it comes to paintings, with an eye-watering collection of…
Grief-conjurors, space-mincers and earth-shovellers: performance roundup
They enter two by two. Grannies, mainly. Headscarved, mainly. Some locking arms. A bit glum. Like rejects from Noah’s ark.…
India’s Sistine ceiling
In Tamil Nadu we found that we were exotic. Although there were some other western tourists around, in most of…
Rarely have I sat through such a chaotic and whimsical script: Describe the Night reviewed
Describe the Night opens in Poland in 1920 where two Russian soldiers, Isaac and Nikolai, discuss truth and falsehood. Next…
Sky Atlantic’s Patrick Melrose adaptation is triumphant
Warning: if you haven’t seen it yet, the first episode of the much-anticipated Patrick Melrose (Sky Atlantic, Sunday) contains scenes…
How hospices make you think differently about life
The timing of the Today programme’s series about hospices could not have been more apt, coming as it did so…
A Bowie tribute album: Arctic Monkey’s Tranquility Base Hotel & Casino reviewed
Grade: B+ Oh, terrific — a concept album about a 1970s hotel somewhere in space, plus an attack on our…
Tafelmusik – Bach and His World
One of the most admired music ensembles in the world is touring for Musica Viva Australia until 4 June (Perth,…
From buck dancing to Happy Feet: a short history of tap
Fire up YouTube on the iPad, tap in ‘tap’, then wave goodbye to the rest of your day: clip after…
Belly, the band responsible for one of my favourite 90s songs, is back
Grade: B+ One of my favourite songs from the 1990s was about a Chinese adulteress forced to walk around town…
Why can’t podcasts be more like Radio 4?
Now here’s a series that would make a brilliant podcast but is also classic Radio 4 — they don’t have…
Animals, tourists and raptors: the hazards of being a plein-air artist
A conservator at Kansas City’s Nelson-Atkins Museum was recently astonished to find a tiny grasshopper stuck in the paint of…
Which now unbearable TV show has been ruined for ever by political correctness?
Twenty years after it first appeared, Who Wants To Be A Millionaire? is back for a brief, week-long anniversary run…
Flawed but often hilarious new play: Nine Night at the Dorfman Theatre reviewed
Nine Night refers to a Jamaican custom that obliges bereaved families to party non-stop for more than a week following…
Convoluted, woeful mishmash with no central story: How to Talk to Girls at Parties reviewed
How to Talk to Girls at Parties is set in the 1970s and has punk as the backdrop and an…
Girls at the Piano
We need to remind ourselves that there was once a time when there were no Keynesian socialist bureaucracies determining ‘cultural…
How Riccardo Chailly brought joy – and Italian opera – back to La Scala
As the curtain opens on the second act of Don Pasquale, I hear a rustle of discomfort. Donizetti’s opera has…