Arts feature
Artificial life
One day Julia Margaret Cameron was showing John Ruskin a portfolio of her photographic portraits. The critic grew more and…
How Technicolor came to dominate cinema
Peter Hoskin celebrates Technicolor’s 100th birthday
How Technicolor came to dominate cinema
They’ve already found a cure for the common cold. It’s called Technicolor. My first dose of it came during the…
Theatre and transgression in Europe’s last dictatorship
Juan Holzmann goes underground in Minsk with the Belarus Free Theatre
Theatre and transgression in Europe’s last dictatorship
In a drab residential street in foggy, damp Minsk, four students are at work in a squat white building that…
Of gods and men
Over the stupefyingly long course of Egyptian history, gods have been born and they have died. Some 4,000 years ago,…
Of gods and men
Tom Holland on Egypt, where the deities were born and history itself began
Colm Tóibín on priests, loss and the half-said thing
Jenny McCartney talks to unstoppable literary force Colm Tóibín about loss, priests and half-said things
Colm Tóibín on priests, loss and the half-said thing
‘No matter what I’m writing,’ says Colm Tóibín, ‘someone ends up getting abandoned. Or someone goes. No matter what I’m…
What is it about Bill Viola’s films that reduce grown-ups to tears?
What is it about Bill Viola's films that reduce grown-ups to tears? William Cook dries his eyes and talks to the video artist about Zen, loss and nearly drowning
What is it about Bill Viola’s films that reduce grown-ups to tears?
Even the most down-to-earth people get emotional about Bill Viola’s videos. Clare Lilley of Yorkshire Sculpture Park (YSP) seems close…
Why I’m stepping down after 28 years as The Spectator pop critic
Pop's place in culture has changed drastically. Marcus Berkmann explains why, after 27 years, it is time to step down as The Spectator's pop critic
Why I’m stepping down after 28 years as The Spectator pop critic
This is my 345th and last monthly column about pop music for The Spectator. I believe I might be the…
Hitler’s émigrés
German-speaking refugees dragged British culture into the 20th century. But that didn’t go down well in Stepney or Stevenage, says William Cook
Hitler’s émigrés
Next week Frank Auerbach will be honoured by the British art establishment with a one-man show at Tate Britain. It’s…
Coming up for air
Jenny McCartney talks to the celebrated photojournalist about war, guilt and Aylan
Coming up for air
The thing that the photojournalist Don McCullin likes best of all now, he tells me, is to stand on Hadrian’s…
There will be blood
Siena’s Palio is steeped in violence, bribery and corruption. But it matters to its people more than anything, says Jasper Rees
There will be blood
If you don’t want to spend hundreds of euros on a good seat, the best place to watch the Palio…
See no evil
Harry Mount once idolised the Kray twins. He’s since seen the error of his ways
See no evil
When I was at university, Reggie Kray was my penpal. I wrote to him in 1991, asking for an interview…
All white on the night
Trevor Nunn is staging Shakespeare’s Wars of the Roses without a single black actor. So what, says Robert Gore-Langton
All white on the night
Shakespeare’s ‘Wars of the Roses’ will have no ethnic minority actors in the cast when the shows (two Henry VI…
God’s architect
Palladio gave his name to a style that spread around the world. But was it too successful for its own good, wonders Stephen Bayley
God’s architect
Somewhat magnificently, I made the notes for this article sitting in the back of a Rolls-Royce travelling between London and…
