Arts feature
Taking the pissoir
You have to imagine the lines that follow in separate fonts to get the full sense of the nonsense in…
Taking the pissoir
You have to imagine the lines that follow in separate fonts to get the full sense of the nonsense in…
Death of the auteur
From the Oscar winning classics of the early Seventies — The French Connection (1971) and The Exorcist (1973) — to…
Death of the auteur
From the Oscar winning classics of the early Seventies — The French Connection (1971) and The Exorcist (1973) — to…
Holy visions and dustbins
Woolworth’s spectacles. Pudding-basin haircut, rather sparse. Norfolk jacket. Pyjama cuffs below trouser legs and sleeves. Paints and brushes in an…
Holy visions and dustbins
Woolworth’s spectacles. Pudding-basin haircut, rather sparse. Norfolk jacket. Pyjama cuffs below trouser legs and sleeves. Paints and brushes in an…
Show business
Sport has never held much appeal for me, so I rarely venture into stadiums. But I do appreciate their peculiar…
Show business
Sport has never held much appeal for me, so I rarely venture into stadiums. But I do appreciate their peculiar…
Out of this world
It is London in the summer of 1871. Queen Victoria has just opened the Royal Albert Hall in memory of…
These foolish things
No reliable statistics exist — it’s not the sort of thing you can audit — but England is surely the…
Spellbound
Isabelle Huppert does nothing by halves. And she doesn’t, I think, care greatly for journalists. She expects them to ask…
The great pretenders
Can the beauty of Palmyra be reproduced by data-driven robots? Stephen Bayley on copies, fakes and forgeries
The great pretenders
There is fakery in the air. And maybe the French are done with deconstruction. A drone operated by a French…
Gaudy! Bright! Loud! Fun!
Best of postmodernism: is that an oxymoron? Jonathan Meades thinks not
Gaudy! Bright! Loud! Fun!
In any epoch most of what is built is mediocre, though we may not realise it at the time because…
Death metal
With its loud guitar riffs and even louder fashion, heavy metal has always been ripe for ridicule. In its mid-1980s…
Deluded divas
Were Florence Foster Jenkins and her fellow culprits touchingly heroic, cynically fraudulent or just plain bonkers? Rupert Christiansen reports
Deluded divas
When the Fat Lady Sings, everyone is primed to chortle, even if she is Montserrat Caballé and doing it wonderfully…
Filming the Final Solution
Amid the abundant cinema of Nazi atrocity, Son of Saul is exemplary. Ian Thomson explains why
Filming the Final Solution
In July 1986, nine months before he died, I met the Italian author and Auschwitz survivor Primo Levi at his…
All the world’s a stage
James Woodall talks to the Belgian director Ivo van Hove, who has brought a swathe of Shakespeare’s history plays to the stage in Dutch (four hours of it)
All the world’s a stage
In this much-heralded Shakespeare anniversary year, one might expect a certain respect for the works to prevail. In Holland it’s…
‘Do black movies really not sell?’
Don Cheadle talks to Jasper Rees about the long, hard road to bringing Miles Davis’s life to the big screen





























