Arts
Rescued from the Comanches
Isn’t it extraordinary how the new-style, super-arty balletic circus has transformed the old child-delighting world of Heffalumps and daring young…
Oblique and long but never boring: About Dry Grasses reviewed
About Dry Grasses is the latest film from Turkish auteur Nuri Bilge Ceylan and it had better – I thought…
Why Sir Arthur Conan Doyle believed in fairies
Sherlock Holmes fans will be delighted to know that there is a new play featuring the great man. In it…
Shapeless and facile: The Hot Wing King, at the Dorfman Theatre, reviewed
Our subsidised theatres often import shows from the US without asking whether our theatrical tastes align with America’s. The latest…
How a market town in Hampshire shaped Peggy Guggenheim
On 24 April 1937 Marguerite Guggenheim – known as Peggy – of Yew Tree Cottage, Hurst was booked by a…
Clear, thorough and gripping: BBC2’s Horizon – The Battle to Beat Malaria
If you transcribed the narrator’s script in almost any episode of Horizon, you’d notice something striking: an awful lot of…
Charismatic, powerful and raw: Patti Smith, at Somerset House, reviewed
There are certain long-established rules for describing Patti Smith. Google her name and the words ‘shaman’ and ‘priestess’ and you’ll…
Impossible to doze through, sadly: Twisters reviewed
Twisters is an action-disaster film that follows ‘storm-chasers’ and is so relentless in its own pursuit of tornadoes that plot,…
Do men and women need different podcasts?
Do men and women need different podcasts? The notion goes against the unisex, every-sex, what-is-sex-anyway culture we have come to…
Are kids’ games under threat?
We hear a lot about the rights of the child, but the first I heard of the child’s right to…
Hard to love – but Shirley Manson is terrific: Garbage, at Usher Hall, reviewed
There’s nothing quite like the drama of a prodigal’s return. ‘I’ve been singing in this venue since I was ten…
Am I slightly psychopathic to be so obsessed with gangster TV?
Most of my favourite TV shows seem to involve gangsters in one way or another: The Sopranos, Breaking Bad, Top…
A major operatic rediscovery: Birmingham Opera Company’s New Year reviewed
This prophecy Merlin shall make, for I live before his time. One of the most thrilling aspects of the Tippett…
Vapid and pretentious: Visit From An Unknown Woman, at Hampstead Theatre, reviewed
Visit From An Unknown Woman, adapted by Christopher Hampton from a short story by Stefan Zweig, opens like an episode…
‘Damned spot’ of blood keeps appearing
People have always fiddled with Shakespeare. Nahum Tate did not give King Lear a happy ending because he was a…
A masterful magnificence
Edward Albee’s Who’s Afraid of Virginia Woolf? culminates the great stretch of American drama that runs from Tennessee Williams’ The…
Utterly bog-standard: BBC2’s The Turkish Detective reviewed
A partly subtitled show set in Istanbul might sound like a brave departure for a BBC Sunday night crime drama.…
Acceptable for a hangover day: Fly Me to the Moon reviewed
Fly Me to the Moon is a romantic comedy starring Scarlett Johansson and Channing Tatum set during the 1960s space…
Sparky and often hilarious: Garsington’s Un giorno di regno reviewed
Hang out with both trainspotters and opera buffs and you’ll soon notice that opera buffs are by far the more…
Unmissable – for professors of gender studies: Alma Mater, at the Almeida Theatre, reviewed
Alma Mater is a topical melodrama set on a university campus. The new principal, Jo, (amusingly played by Justine Mitchell)…
The beauty of pollution
On the back of the British £20 note, J.M.W. Turner appears against the backdrop of his most iconic image. Voted…
Why I fell out of love with Wagner
It’s four years since I gave up opera criticism. The pandemic had struck, I had hit a significant birthday, and…
Are the best young ballerinas being lured away from dance by sport?
As graduation ceremonies go, the Royal Ballet School’s annual matinée ranks among the most spectacular. It takes place at the…
