Arts
Heart-melting loveliness from John Rutter
Anyone for a spot of acoustic science? Apparently the distinctive colour of a musical note is concentrated almost wholly in…
Tracey Emin at her most operatic
I feared this summing-up of Tracey Emin’s career might be self-congratulatory – biennale here, damehood there. But it’s Emin at…
The torture of Michael Frayn’s Copenhagen
Copenhagen by Michael Frayn is a problem play. It debuted at the National in 1998 and ran for two years…
In defence of museum charges
It occurs to me only now that I might have spent far too much time in France. Indeed, so familiar…
Cruelties of popular culture
Ethan Hawke is an extraordinary figure. He has made straightforward Hollywood classics like Training Day but he also comes out…
A Tate show with dreamy, elusive power
One of the miracles of art history is how painting, so often written off, keeps on coming back. Right now…
HBO Max isn’t worth subscribing to
HBO Max is the latest streaming channel trying to lure you into yet another of those £10 a month subscription…
Don’t blame Kanye for his abject idiocy
Grade: C– Kanye? No, I can’t, quite. I will always quietly overlook the idiotic political sensibilities of the conformist millennial…
The National Theatre needs help
In The Print is a docudrama about the bitter war between Rupert Murdoch and the unions in the mid-1980s. Murdoch…
Unrelentingly entertaining: Basement Jaxx reviewed
How would you like your nostalgia served, sir (and it is usually ‘sir’): in mist-shrouded monochrome or crazed lysergic Technicolor?…
An outstanding Turn of the Screw
Never let it be said that The Spectator fails to follow up an arts story. Long-term readers will recall that…
A hypnotic new adaptation of The Stranger
François Ozon’s The Stranger is an adaptation of Albert Camus’ 1942 novel about a clerk who – spoiler alert* –…
A mesmerising new work from English National Ballet
Crystal Pite is one of a handful of truly original choreographers today, extending the boundaries of her art form without…
The truth about artists’ optical aids
The first thing you see on entering this major new Viennese exhibition is not one of Canaletto and his nephew…
Deaths in the mind
It’s strange the way certain deaths stay in the mind perhaps because of the fascination and interconnection of the lives…
The Drama makes no sense
The Drama is the latest from Norwegian writer-director Kristoffer Borgli whose films (Sick of Myself, Dream Scenario) always cause a…
The man who rescued the Notre-Dame
The Notre-Dame de Paris has had several close shaves down the years – even before the 2019 fire that nearly…
It’s time to redefine what we mean by classic rock
Classic rock used to be an American radio genre made up of bluesy guitar bands from the past. It spawned…
How sure are we that all the Michaelina Wautiers at the RA are by her?
Roll up, there’s a new old master in town. Or a new old mistress, if you prefer. Michaelina Wautier (1614-89)…
Over-cautious and clumsy: The Downfall of Huw Edwards reviewed
It’s not easy for a drama to be over-cautious and clumsy at the same time. Or to turn a real-life…
Self Esteem is the star of this David Hare musical
Teeth ’ n’ Smiles is not quite a musical. David Hare’s 1975 play about rock’n’roll includes a handful of tunes…
The art of Schiaparelli
It’s a great shame that Elsa Schiaparelli is less widely known than her rival Chanel. Perhaps that’s down to how…
A daily beauty
It’s fascinating to see that Sharmill are presenting a new Othello from London’s Haymarket from 28 March with David Harewood…
This Hockney show is disorientatingly enjoyable
When so much contemporary art is riven with obscurity and angst, it is disorientating, at first, to encounter something as…
