Richard Bratby

The greatest British opera after Dido and Grimes? Vaughan Williams’s Riders to the Sea

2 April 2016 9:00 am

In a remote fishing village a lone figure confronts an unexplained death, standing tormented but unbroken against fate, the community…

WNO reminds us Figaro's a comedy – which is no bad thing

5 March 2016 9:00 am

Near the end of Elena Langer’s new opera Figaro Gets a Divorce, as the Almaviva household — now emigrés in…

World-weary rather than carefree: Peter Coleman-Wright as Papageno

Life-enhancing achievement: ENO's Magic Flute reviewed

13 February 2016 9:00 am

Centre stage, there’s an industrial-looking black platform, secured by cables. The Three Ladies snap the unconscious Tamino on a mobile…

Conductor and orchestra played as if in love: Royal Opera’s Eugene Onegin reviewed

9 January 2016 9:00 am

It’s scene five of Kasper Holten’s production of Tchaikovsky’s Eugene Onegin and Michael Fabiano’s Lensky is alone with a snow-covered…

A devastating Jenufa - if you could hear it

5 December 2015 9:00 am

About 15 minutes into act one of Jenufa, the student in the next seat leaned over to her companions and…

Opera in Edinburgh: even the best Stravinsky can’t beat mediocre Mozart

22 August 2015 9:00 am

Is Stravinsky’s The Rake’s Progress anything more than an exercise in style? ‘I will lace each aria into a tight…