The scene is a well-appointed drawing room in Copenhagen in September 1840. A fresh-faced girl in her late teens is playing the piano in an attempt to soothe the troubled spirit of her boyfriend, a slender, bouffant-haired philosopher in his late 20s by the name of Søren Kierkegaard. Suddenly, he grabs the score from her and claps its pages shut before exclaiming, ‘Oh! What do I care for music? It’s you I want!’ Upon which, he proposes marriage, and soon after, the young Regine Olsen accepts.
Already a subscriber? Log in
Get 10 issues
for $20
Subscribe to The Spectator Australia today for the next 10 magazine issues, plus full online access, for just $20.
- Delivery of the weekly magazine
- Unlimited access to spectator.com.au and app
- Spectator podcasts and newsletters
- Full access to spectator.co.uk
Or
Comments
Don't miss out
Join the conversation with other Spectator Australia readers. Subscribe to leave a comment.
SUBSCRIBEAlready a subscriber? Log in