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The agony of making music at Auschwitz

Anne Sebba explores the ethical questions that haunted members of the female orchestra obliged to play marching music to hurry fellow inmates to and from forced labour

22 March 2025

9:00 AM

22 March 2025

9:00 AM

The Women’s Orchestra of Auschwitz: A Story of Survival Anne Sebba

Weidenfeld, pp.304, 22

Anita Lasker survived the Holocaust because, as a Berlin teenager, she had enjoyed her cello lessons. The Hungarian Lily Mathé’s violin performances had once impressed the man who became the Auschwitz concentration camp commandant. Alma Rosé, among Europe’s most talented musicians and the niece of Gustav Mahler, became the conductor who kept these young women and more than 40 others alive through ‘ferocious discipline’ and determination.

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