‘What passing-bells for these who die as cattle?’ We’ve heard a lot, lately, of the knell that tolls through the opening bars of Benjamin Britten’s War Requiem, and at Liverpool’s Anglican cathedral it was played on actual church bells. The Royal Liverpool Philharmonic Orchestra’s percussionist Graham Johns has had a set specially cast, and as he struck them video screens relayed the moment all the way down the cathedral’s length.
Already a subscriber? Log in
Subscribe for just $2 a week
Try a month of The Spectator Australia absolutely free and without commitment. Not only that but – if you choose to continue – you’ll pay just $2 a week for your first year.
- Unlimited access to spectator.com.au and app
- The weekly edition on the Spectator Australia app
- Spectator podcasts and newsletters
- Full access to spectator.co.uk
Or
Unlock this article
You might disagree with half of it, but you’ll enjoy reading all of it. Try your first month for free, then just $2 a week for the remainder of your first year.
Comments
Don't miss out
Join the conversation with other Spectator Australia readers. Subscribe to leave a comment.
SUBSCRIBEAlready a subscriber? Log in