<iframe src="//www.googletagmanager.com/ns.html?id=GTM-K3L4M3" height="0" width="0" style="display:none;visibility:hidden">

Theatre

Yanks buy stacks of tickets in the West End. Why is Made in Dagenham so rude to them?

Plus: let’s not restrict the Sam Wanamaker Playhouse to Jacobean bloodbaths like ‘Tis Pity She’s a Whore. Let’s stage gigs there too

15 November 2014

9:00 AM

15 November 2014

9:00 AM

Made in Dagenham: the Musical

Adelphi Theatre, until 28 March 2015

‘Tis Pity She’s a Whore

Sam Wanamaker Playhouse, until7 December

Go slow at Dagenham. The musical based on the film about a pay dispute in the 1960s starts as a sluggish mire of twee simplicities. We’re in Essex. Grumbling Cockney wage slaves inhabit cramped but spick-and-span council flats. Russet-cheeked kiddiwinkies are scolded and cosseted by blousy matriarchs married to emotionally reticent beer guts.

Already a subscriber? Log in

Subscribe for just $2 a week

Try a month of The Spectator Australia absolutely free and without commitment. Not only that but – if you choose to continue – you’ll pay just $2 a week for your first year.

  • Unlimited access to spectator.com.au and app
  • The weekly edition on the Spectator Australia app
  • Spectator podcasts and newsletters
  • Full access to spectator.co.uk
Or

Unlock this article

REGISTER

You might disagree with half of it, but you’ll enjoy reading all of it. Try your first month for free, then just $2 a week for the remainder of your first year.


Comments

Don't miss out

Join the conversation with other Spectator Australia readers. Subscribe to leave a comment.

Already a subscriber? Log in

Close