Theatre
Brian Cox’s Bach has to be heading for Broadway
The Score is a fine example of meat-and-potatoes theatre. Simple plotting, big characters, terrific speeches and a happy ending. The…
Tedious and threadbare: Unicorn, at the Garrick Theatre, reviewed
Unicorn, Mike Bartlett’s new play, involves some characters in chairs discussing a sexual threesome. That’s the entire show. Polly (Nicola…
If you have two hours to spare, spend it anywhere but here: The Years reviewed
The Years is a monologue spoken by a handful of actresses, some young, some old enough to carry bus passes.…
The problem of back-story in drama
Olga in Three Sisters, the opening speech: ‘Father died just a year ago, on this very day – the fifth…
Stylish facsimile of Carol Reed’s film: Oliver!, at the Gielgud Theatre, reviewed
Oliver! directed by Matthew Bourne is billed as a ‘fully reconceived’ version of Lionel Bart’s musical. Very little seems to…
An excellent sixth-form drama project: Santi & Naz, at Soho Theatre, reviewed
Santi & Naz is a drama set in the Punjab in 1947 that uses an ancient and thrilling storyline about…
Immigration’s theatre of the absurd
On the cusp of an almighty row over Trump’s planned mass deportations, let’s look to Europe for light relief. Last…
Pious bilge: Kyoto, at @sohoplace, reviewed
The West End’s new political show, Kyoto, can’t be classed as a drama. A drama involves a main character engaged…
Cheerless and fussy: The Tempest, at Theatre Royal Drury Lane, reviewed
The Tempest is Shakespeare’s farewell, his final masterpiece or, if you’re being cynical, the play that made him jack it…
What makes a good title?
Liszt’s compositions tend to have descriptive titles – ‘Wild Chase’; ‘Dreams of Love’ – whereas Chopin avoided titles. Thomas Wentworth…
Exquisite: Tom Stoppard’s The Invention of Love, at Hampstead Theatre, reviewed
The Invention of Love opens with death. Tom Stoppard’s play about A.E. Housman starts on the banks of the Styx,…
Brutal and brilliant portrait of Bette Davis and Joan Crawford
The Last Days of Liz Truss? is a one-woman show about the brief interregnum between Boris Johnson and Rishi Sunak.…
Sumptuous but musically unmemorable: Elton John’s The Devil Wears Prada musical reviewed
The Devil Wears Prada is a fairy tale about an aspiring female novelist, Andy, who receives a job offer from…
This Muslim playwright believes Yorkshire is headed for civil war
Expendable, at the Royal Court, is an urgent bulletin from the front line of the grooming gang scandal in the…
‘La Scala was maddening’: an interview with John Macfarlane, the finest set designer of his generation
Pantomime season is upon us, and unless your taste in colour runs no further than Smarties, there is no more…
Wonderful comedy of manners: Kiln Theatre’s The Purists reviewed
A slice of the ghetto arrives at the Kiln Theatre in Kilburn. The Purists is set on the stoop of…
Heart-warming but safe biographical drama: Going for Gold, at Park90, reviewed
Going for Gold is a biographical drama about a forgotten star of the 1970s. Frankie Lucas was a middleweight boxing…
A flop: The Curious Case of Benjamin Button, at Ambassadors Theatre, reviewed
The Curious Case of Benjamin Button carries a strap-line, ‘an unordinary musical’. Perhaps the word ‘extraordinary’ is simply too banal…
A riveting show crammed with the kind of risky gags rarely heard on stage these days
How To Survive Your Mother is a play based on a memoir by political dramatist Jonathan Maitland. He portrays himself…
Is Coogan’s Dr Strangelove as good as Sellars’s? Of course not
Stanley Kubrick’s surreal movie Dr Strangelove is a response to the fear of nuclear annihilation which obsessed every citizen in…
How is Arnold Wesker’s Roots, which resembles an Archers episode, considered a classic?
The Almeida wants to examine the ‘Angry Young Man’ phenomenon of the 1950s but the term ‘man’ seems to create…
Familiar scenarios: Our Evenings, by Alan Hollinghurst, reviewed
There’s a certain pattern to an Alan Hollinghurst novel. A young gay man goes to Oxford. He’s middle class and…
Are you Beatles or Stones?
You find me in the south of France, holed up in that inn of near perfection called La Colombe d’Or…
Faultless visuals – shame about the play: the National’s Coriolanus reviewed
Weird play, Coriolanus. It’s like a playground fight that spills out into the street and has to be resolved by…
The show belongs to Jonathan Slinger and Ben Whishaw: Waiting for Godot reviewed
Waiting for Godot is a church service for suicidal unbelievers. Those who attend the rite on a regular basis find…
