Offenbach

Opera della Luna is a little miracle: Curtain Raisers at Wilton’s Music Hall reviewed

11 September 2021 9:00 am

Arthur Sullivan knew better than to mess with a winning formula. ‘Cox and Box, based on J. Maddison Morton’s farce…

A silly, bouncy delight: Glyndebourne's In the Market for Love reviewed

17 October 2020 9:00 am

Offenbach at Glyndebourne! Short of Die Soldaten with a picnic break or a period-instrument revival of Jerry Springer: The Opera,…

The joy of going to a real concert: OHP's Heart of Delight reviewed

22 August 2020 9:00 am

I went to a concert! Not a livestream or download: a real concert, with real musicians, a real conductor, a…

More misogynistic than the original: ENO’s Orpheus in the Underworld reviewed

12 October 2019 9:00 am

It’s Act Three of Emma Rice’s new production of Offenbach’s Orpheus in the Underworld, and Eurydice (Mary Bevan) is trapped…

Can an Offenbach production be too silly? Garsington’s Fantasio reviewed

22 June 2019 9:00 am

The tears of a clown have often fallen on fertile operatic ground. Think of Rigoletto and I Pagliacci; or The…

Unlikely to win converts: Royal Opera's L'Étoile reviewed

6 February 2016 9:00 am

It’s widely agreed that the most difficult form of opera to bring off is operetta, whether of the Austro-German or…

I doubt Goethe intended Werther's sorrows to be as unremitting as this

24 October 2015 9:00 am

There are some things the French do better than everyone else. Cheese, military defeats and extra-marital affairs are a given,…