Netflix
So good I watched it twice: Netflix's The White Tiger reviewed
The White Tiger is adapted from the Booker-prize winning novel (2008) by Aravind Adiga. It is directed by Ramin Bahrani…
Superb but depraved: BBC1’s The Serpent reviewed
The Serpent is the best BBC drama series in ages — god knows how it slipped through the net —…
The rise and fall of Netflix
In 2010, Jeff Bewkes, then CEO of Time Warner, was asked if he thought Netflix had any chance of taking…
Netflix's Barbarians taught me those Romans had it coming
Of all the times and places to have been on the wrong side of history, I can’t imagine many worse…
Sets appeal: the distracting beauty of TV backdrops
The distracting beauty of TV backdrops
Like a never-ending episode of The Jerry Springer Show: Hillbilly Elegy reviewed
Hillbilly Elegy is an adaptation of the best-selling memoir, published in 2016, by J.D. Vance and it’s quite a story.…
The journalists who scripted the golden age of Hollywood
Tanya Gold on the journalists who scripted the golden age of Hollywood
Did any of this actually happen? The Crown, season four, reviewed
‘We have to stop it now!’ says Princess Margaret (Helena Bonham Carter), smoking another cigarette, obviously. She’s talking about the…
In defence of Emily in Paris
A frothy new drama called Emily in Paris arrived on Netflix last month. Starring Lily Collins — daughter of Phil…
One zinger after another – but it’ll leave you cold: Trial of the Chicago 7 reviewed
Aaron Sorkin’s The Trial of the Chicago 7 — don’t worry, you haven’t missed six earlier films — is a…
This is what cinema is for: Netflix’s Cuties reviewed
Cuties is the subject of a moral panic and a hashtag #CancelNetflix. It tells the story of Amy (Fathia Youssouf),…
The only things left worth watching on the BBC are foreign buy-ins like The Last Wave
Soon, very soon now — even sooner than I imagined, if A Suitable Boy turns out to be as lacklustre…
Why haven’t podcasts cracked the recipe for audio drama?
In Beeb-dominated Britain, the commercial triumph of podcasting — epitomised by Spotify’s recent £100 million deals with Joe Rogan and…
Messy but absolutely necessary: Da 5 Bloods reviewed
Spike Lee’s Da 5 Bloods is about four African-American vets who return to Vietnam to locate the body of their…
Jeffrey Epstein really was a streak of slime
Did Jeffrey Epstein kill himself or was he murdered — and frankly who cares? Actually, having watched the four-part Netflix…
Netflix’s Caliphate is all too frighteningly plausible
Sweden is now properly celebrated as the Land that Called Coronavirus Correctly. But in the distant past, those with long…
Joyous and very, very funny: Beastie Boys Story reviewed
The music of the Beastie Boys was entirely an expression of their personalities, a chance to delightedly splurge out on…
Superbly convincing: Unorthodox reviewed
When I lived briefly in Stamford Hill I was mesmerised by the huge fur hats (shtreimel) worn by the local…
Taylor Swift is fascinating – but you really wouldn't want to be her
There had been some question about whether Taylor Swift’s Netflix special would actually appear. Last year it seemed that the…
A Formula 1 doc for people who hate Formula 1
Some years ago I was invited to the British Grand Prix at Silverstone courtesy of a watch manufacturer. As freebies…
Too edgy and clever to be wasted on kids: Netflix’s Locke & Key reviewed
One of my perpetual gnawing terrors is that I’ll recommend a series that looks initially promising but turns out to…
How I fell out of love with the BBC
One of the many technological things I don’t understand is, how come I’m paying to watch television? I know why…
Why the BBC licence fee makes sense
A consensus seems to be forming that the BBC licence fee is for the chop. In a digital age, the…
Netflix's Messiah is a great concept undermined by implausible politics
Sky’s latest bingewatch potboiler Cobra can’t quite make up its mind whether it wants to be an arch, knowing House……
The only way to survive Christmas TV is to avoid anything seasonal and watch Giri/Haji
The key to surviving the next couple of weeks of TV is to avoid like the plague anything that smacks…
