Marriage of Figaro
The problem with Klaus Makela
Klaus Makela is kind of a big deal. He’s a pupil of the Finnish conducting guru Jorma Panula – the…
Aggressively jaded: Edinburgh’s Marriage of Figaro reviewed
‘Boo!’ came a voice from the stalls. ‘Boo. Outrage!’ It was hard not to feel a pang of admiration. British…
Booster shots of sunlight
Sir Simon Rattle and the London Symphony Orchestra began the year with a world première. Unsuk Chin’s Second Violin Concerto…
Coming up roses
At the turning point of Richard Strauss and Hugo von Hofmannsthal’s Der Rosenkavalier, all the clocks stop. Octavian has arrived…
A perfect antidote
Anyone familiar with Joe Hill-Gibbins’s work will brace instinctively when the curtain goes up on his new Figaro. He’s the…
Testosterone and passion: Royal Opera’s Marriage of Figaro reviewed
Another turn around the block for David McVicar’s handsome 1830s Figaro at the Royal Opera — the sixth since the…
Whatever happened to Alice?
In 1987, the art of opera changed decisively. John Adams’s opera Nixon in China was so unlike the usual run…
Excess baggage
Near the end of Elena Langer’s new opera Figaro Gets a Divorce, as the Almaviva household — now emigrés in…
Northern Ireland Opera’s Turandot will fill you with awe and revulsion
Chords as bright and sweet as pomegranate seeds burst and spill in Turandot, a splinter of bitterness at their centre.…
Fossilised Figaro
Is there a more extraordinary, more heart-stilling moment in all opera than the finale of Mozart’s The Marriage of Figaro?…
Crime and punishment
In one of the more peculiar concerts that I have been to at the Royal Festival Hall, Vladimir Jurowski conducted…
Sexy ladies
This season of live Met relays got off to a most impressive start, with an electrifying account of Verdi’s tenth…
