Macbeth
Lacks any air of mystery, foreboding or darkness: Macbeth, at the Globe, reviewed
Macbeth at the Globe wants to put us at our ease and make us feel comfortable with the play’s arcane…
Somewhere in this production lies Shakespeare's tragedy: Almeida's Macbeth reviewed
Yaël Farber’s Macbeth sets out to be a great work of art. The director crams the Almeida’s stage with suggestive…
The best Macbeths to watch online
The world’s greatest playwright ought to be dynamite at the movies. But it’s notoriously hard to turn a profit from…
Lap-dancing with ISIS, the real Monica Lewinsky and one of the strangest things I’ve ever seen: Edinburgh Fringe roundup
Clive Anderson’s show about Macbeth, ‘the greatest drama ever written’, offers us an hour of polished comedy loosely themed around…
One of the finest productions I’ve seen at the Globe – a triumph of crony casting: Macbeth reviewed
Michelle Terry, chatelaine of the Globe, wants to put an end to penis-led Shakespeare by casting women in roles intended…
At last, a great achievement at the Royal Opera: Macbeth reviewed
At last, a great time at the Royal Opera: a magnificent performance, in every way, of Verdi’s Macbeth, curiously but…
Rory Kinnear is less Macbeth, more a tetchy manager of an Amazon warehouse
The Best Man by Gore Vidal is set during a fictional American election in 1960. Two gifted candidates seek their…
Risk assessment
Someone at the Buxton International Festival had a wry smile on their face when programming this year’s trio of operas.…
The Royal Ballet is literally losing the plot
If a football manager produces a string of losses, the writing is on the wall and out he goes. He’s…
A.C. Grayling reduces history to a game of quidditch
The 17th century scores highly — especially England’s part in it — in A.C. Grayling’s ‘points system’ of history. If only the study of the past were that simple, says Ruth Scurr
Horridly magnificent - but real problems occur when anyone opens their mouth: Macbeth reviewed
Who goes to big-screen Shakespeare? Not theatre-goers much, and with reason. Apart from the odd corker by Kurosawa, arguably Olivier…
Shakespeare's London: where all the world really was a stage
Sam Leith on the year 1606, when plague and panic were rife — and all the world really was a stage
Met Opera Live's Macbeth: Netrebko's singing stirred almost as much as her décolletage
This season of live Met relays got off to a most impressive start, with an electrifying account of Verdi’s tenth…
ENO's Rodelinda: near-perfect singing, perfectly gimmicky direction
I wasn’t going to write about Handel’s Rodelinda, wasn’t even intending to go, but thanks to the kindness of the…
America's war on sleep
The relentless rise of ‘you snooze, you lose’
Private Lives at the Gielgud: Spot the sexual tension between Anna Chancellor and Toby Stephens
It’s always a problem with Macbeth: what accents to use? The Globe is applying the traditional remedy. Lord and Lady…
