Classical music
Losing our religion
Sir James MacMillan’s European Requiem, performed at the Proms on Sunday, isn’t about Brexit. The composer had to make this…
Beethoven: Missa solemnis
When you first encounter it, Beethoven’s Missa solemnis can sound like the Ninth Symphony with more singing but no tunes.…
The joy of the Proms
Summer nights, hot and humid, mean just one thing — it’s Proms season again. Sore feet, sweaty armpits, queuing outside…
Gustav Mahler
When I began listening to music seriously, in about 1950, I had read about Mahler but wasn’t able to hear…
Myth-making
For years I have been telling people that they should listen to, in the absence of staged performances, Enescu’s opera…
Verdi
Verdi has a peculiar if not unique place in the pantheon of great composers. If you love classical music at…
Unsung hero
One of the greatest choral symphonies of the 20th century, entitled Das Siegeslied (Psalm of Victory), has been heard only…
Deluded divas
Were Florence Foster Jenkins and her fellow culprits touchingly heroic, cynically fraudulent or just plain bonkers? Rupert Christiansen reports
Last words
This, my 479th, is to be my last contribution as a regular columnist to The Spectator. I have written here…
Service with a smile
He’s been billed as the new Pied Piper but it’s going to take a while for Tom Service to quite…
Sound and vision
Janacek’s Jenufa, his first great opera, had a one-night stand at the Royal Festival Hall last Monday, courtesy of the…
BBC Proms
BBC Proms 2016 is about as exciting as my sock drawer. But it’s unclear who exactly is to blame. The…
Sound and fury
No one is consulted. No one is held to account. No one has the authority to turn it off. How…
Bored by Brahms
Brahms’s Clarinet Quintet begins, writes his biographer Jan Swafford, with ‘a gentle, dying-away roulade that raises a veil of autumnal…






























