Cannes

The only ones to come out of Dogman well are the dogs

Bleak, unflinching, oppressive, violent – and magical: Dogman reviewed

20 October 2018 9:00 am

Matteo Garrone’s Dogman, which is Italy’s entry for the foreign language Oscar next year, is bleak, unflinching, oppressive, masculine (very),…

Cannes, exclusive? I’ve met classier crowds in brothels

28 May 2016 9:00 am

New York Let’s face it, sleaze is to professional party-givers what jail is to a burglar, an occupational hazard. I’ve…

Unlike the philistine sharks of today, Aleko Goulandris is an art collector of the old school

15 November 2014 9:00 am

Aleko Goulandris is my oldest and closest friend. We met in the summer of 1945, at the Semiramis hotel in…