Bryn Terfel
Richard Jones’s Boris Godunov feels like a parody
Mussorgsky’s Boris Godunov is back at Covent Garden, and there are ninjas. This isn’t a spoiler. There hasn’t been a…
Vivid, noble and bouyant: AAM’s Messiah reviewed
More than a thousand musicians took part when Handel’s Messiah was performed in Westminster Abbey in May 1791. It wasn’t…
The Muppet show
There are many things to enjoy in the Royal Opera’s revival of Donizetti’s Don Pasquale, but perhaps the most surprising…
Great Britten
No question, the Royal Opera is on a roll. Just look at the cast list alone for Deborah Warner’s new…
Classy and classic
The Edinburgh International Festival began with a double helping of incest. Curiously, Greek — Mark-Anthony Turnage’s East End retelling of…
Original sin
The Royal Opera has bitten the bullet so far as Musorgsky’s Boris Godunov goes, and opted to stage the original…
Blunt and bloody
A wicked deception is sprung in the opening moments of this New York-originated concert staging of Stephen Sondheim and Hugh…
Master class
ENO’s new production of Wagner’s The Mastersingers of Nuremberg is a triumph about which only the most niggling of reservations…
From the sacred to the secular
Terrorism; East-West diplomacy; nuclear war: John Adams’s operas have poured music into the faultlines of 21st-century global politics, and the…
