albums
Can everyone please shut up about Maria Callas?
Rupert Christiansen on the cult of Callas
The case against re-recording albums
In 2012, Jeff Lynne released Mr Blue Sky: The Very Best of Electric Light Orchestra. Except it wasn’t. It was…
The best new album I’ve heard this year: Being Dead’s When Horses Would Run reviewed
Grade: A– The point of a sudden, abrupt change in the time signature and instrumentation of a song is to…
Let’s hear it for the lesser-spotted nepo daddy
Rob Grant releases his debut album, Lost at Sea, this week. A 69-year-old millionaire and former ad man, furniture exec…
In praise of goths – the most enduring of pop subcultures
Michael Hann on the most enduring of pop subcultures
Heartfelt but bland: Ed Sheeran’s – (Subtract) reviewed
Whether by accident or design, the mathematical theme of Ed Sheeran’s previous album titles (+, ×, ÷ and = respectively)…
In defence of country-pop
Sam Kriss on why country-pop is the most modern music there is
As good, and inventive, as modern rock music gets: Black Midi's Hellfire reviewed
Grade: A+ The difficult question with Black Midi was always: are you listening to them in order to admire them,…
An intense slab of religiosity: Nick Cave's Seven Psalms reviewed
Grade: B There has always been a seriousness and intelligence about Nick Cave quite at odds with that which usually…
Humour, sweetness and sincerity: Father John Misty's Chloë and the Next Twentieth Century reviewed
Grade: A– In which Josh Tillman reimagines the whole back catalogue of 20th-century American pop music (except for rock), tilting…
The awfulness of the Red Hot Chili Peppers has always felt weirdly personal
Squaring up to the prospect of a new Red Hot Chili Peppers album, I’m reminded of a vintage quote by…
No one should be doing indie rock at 43: Band of Horses's Things Are Great reviewed
Grade: B That thing, ‘indie rock’, is so well played and produced these days, so pristine and flawless, that it…
See this Russian hip hop star before they arrest him: Oxxxymiron's Beauty & Ugliness reviewed
Grade: A+ I was going to review hyperpop chanteuse Charli XCX’s album this week, but it was such boring, meretricious,…
Fabulously boring: Weather Station's How Is It That I Should Look at the Stars reviewed
Grade: C– Anyone remember that TV advert for Canada from the 1980s – a succession of colourful images, including a…
Too neat but it has hooks aplenty: Avril Lavigne's Love Sux reviewed
Grade: B Yay, life just gets better and better. World War Three and now this. More petulant popcorn pre-school punk…
Pretty astonishing: Black Country, New Road's Ants From Up There reviewed
Grade: A+ It is not true, fellow boomers, that there is nothing new under the sun nor no good new…
Has the whiff of Spinal Tap: Jethro Tull's The Zealot Gene reviewed
Grade: C+ I bought the ‘seminal’ Jethro Tull double album Thick as a Brickfrom a secondhand shop when I…
A story of reflection and self-discovery: Anaïs Mitchell's new album reviewed
Any artist who has habitually written or performed in character — from David Bowie to Lady Gaga — eventually arrives…
In praise of seasonal chart fodder
Christmas: the most vulnerable time of the year. I heard ‘A Winter’s Tale’ by David Essex on the radio the…